A Quote by Simon Rattle
'Pelleas et Melisande' is one of the saddest and most upsetting operas ever written. If you love the opera as I do, then you love it to pieces, obsessively.
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The score of Pelleas and Melisande by Debussy, heralds that which will lift man from the earthly to the celestial, from the mortal to the immortal. Once again the ways of the artist and healer are merging.
But most love poetry is awful; nobody knows how to write good love poetry either. But that's not a reason not to write love poetry. Some of the best poetry ever written has been love poetry, and some of the greatest poetry ever written has been political poetry.
I have so many pieces that once belonged to my mom and both of my grandmothers. All of these pieces are very sentimental, and I love to wear them. I also have many pieces from my father that I probably cherish the most. I love wearing his dress shirts.
I think Mozart's operas 'The Marriage of Figaro' and 'Don Giovanni' are the two most perfect ever written. The music is magical.
Strange as it may seem, the most ludicrous lines I ever wrote have been written in the saddest mood.
I am still learning about love. I thought I understood it--not just mother love, but the love for one's parents, for one's husband, and for one's laotong. I've experienced the other types of love--pity love, respectful love and gratitude love. But looking at our secret fan with its messages written between Snow Flower and me over many years, I see that I didn't value the most important love--deep-heart love.
Opera was an enormous part of my childhood. My parents were both opera buffs, and they met in the box seat of an opera performance. And I also was a boy soprano, so before puberty hit, I was onstage playing a wide variety of orphans and urchins in all sorts of operas, and the sheer melodrama of their stories was just always appealing to me.
As any opera fan knows, lawyers and judges do not fare well in most operas. Just consider the productions of 'Andrea Chenier,' 'Aida, Norma,' 'Billy Budd,' 'Peter Grimes,' 'The Crucible,' 'Lost in the Stars,' 'The Marriage of Figaro,' 'The Makropulos Case' and Wagner's 'Ring' cycle. Around 1810, the theme of justice emerged in opera.
I usually know the general emotion of a song, or the general feeling of it, and then I think I just get so excited by the act of recording. I love that process so much that I feel like if I knew exactly what I wanted I'd arrive at something too soon. Part of the reason I work on stuff for so long is just because I love working on it. It's not that I'm haunted by some ghost sound. I just have nothing else to do with my life. Some people like to obsessively shop online. I like to obsessively rack up studio bills.
When you love someone, they have a piece of you, one of the most important pieces of you, and that's your heart. And when you decide to love freely and love hard - like I do myself - that's a risk that you're taking - getting hurt.
There are many ways to love someone. Sometimes we want love so much, we're not too choosy about who we love. Other times, we make love such a pure and noble thing, no poor human can ever meet our vision. But for the most part, love is a recognition, an opportunity to say, "There is something about you I cherish." It doesn't entail marriage, or even physical love. There's love of parents, love of city or nation, love of life, and love of people. All different, all love.
I love 'Peter Pan' to death. It's one of the most influential pieces of storytelling in my life. It made a huge impact on how I grew up. I love the cartoon. I love the 2003 version.
The most heartbreakingly poignant modern love story ever written.
The happiest she'd ever been was with him, and the saddest. Was that the true test of love?
If ever two were one, then surely we. If ever man were lov'd by wife, then thee; If ever wife was happy in a man, Compare with me, ye women, if you can I prize thy love more than whole mines of Gold. Or all the riches that the East doth hold. My love is such that rivers cannot quench, Nor ought but love from thee, give recompense. Thy love is such I can no way repay, The heavens reward thee manifold repay, Then while we live, in love let's so persevere That when we live no more, we may live ever.
Have you ever had a moment where you finish a piece, and then all of a sudden the piece sort of takes on it's own life beyond you? It doesn't happen every time, but there are some pieces where that happens, and I love that. I feel like that's what I'm seeking nowadays, that moment of transcendence with a piece. Where this thing becomes larger than me as a person. It becomes otherworldly, and then I get separated as maker from it, and then it has it's own life. I love that.
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