A Quote by Simon Rattle
Beethoven was always too much. He's not slightly anything - he's very everything.
Related Quotes
I really don't think I have that much of the gift; I have a little bit, but I wish I were Schubert or Chopin or Beethoven, though Beethoven had a very difficult time writing melody, too.
we live in a world of excess: too many kinds of coffee, too many magazines, too many types of bread, too many digital recordings of Beethoven's Ninth, too many choices of rearview mirrors on the latest Renault. Sometimes you say to yourself: It's too much, it's all too much.
Canadian weather resembles a slightly spoiled beautiful girl with a good heart, but a bad disposition. After being horrid for much too long a time, she suddenly turns right about and makes up for everything with so much charm that you vow again you always loved her!
If there is a Nora Ephron signature anything it is that there's slightly too much food. I have a friend whose mantra is: You must choose. And I believe the exact opposite: I think you should always have at least four desserts that are kind of fighting with each other.
I say too much of what, he says too much of everything, too much stuff, too many places, too much information, too many people, too much of things for there to be too much of, there is too much to know and I don't know where to begin but I want to try.
It is difficult to hate an idea. That requires a certain intellectual discipline and a slightly obsessive, sick mind. There aren’t too many of those. It’s much easier to hate someone with a recognizable face whom we can blame for everything that makes us feel uncomfortable. It doesn’t have to be an individual character. It could be a nation, a race, a group. . .anything.
I drink too much, I smoke too much, I take pills too much, I work too much, I girl around too much, I everything too much.
The reason I always loved 'The Omen' so much, and what has always been scariest to me, is anything to do with God. Anything to do with God is quite frightening because fear is something that's very much expressed in a church environment, and I grew up in one. And the fear of God was very much instilled me at a very young age.
I do have one slightly crooked wheel upstairs, but everything else is ticking along just four-o, thank you very much.
However, there probably is a slight connection between the high-wire, super sensitivity, open to everything and too much, and slightly fragile soul of the artist and the need to self-medicate, which can lead to bad trouble either in drugs, or alcohol. So it's not that there's no connection, it's just that we can't make too much of it because it isn't the addiction that's the issue, it's the fragility of some people who do artistic work, who end up in rehab somewhere or other.
One pays for everything, the trick is not to pay too much of anything for anything.
Between 1958 and 1963, I sold about 40 million records - to the shock of my mother and father because I was always playing Beethoven. But I bought my mother a mink stole. She was very happy, and she said, 'I think this is better than Beethoven.'
And now, in honour of the 150th anniversary of Beethoven's death, I would like to play 'Clear the Saloon', er, 'Clair de Lune', by Debussy. I don't play Beethoven so well, but I play Debussy very badly, and Beethoven would have liked that.
I always like to win. But I'm the big sister. I want to make sure she has everything, even if I don't have anything. It's hard. I love her too much. That's what counts.
Our senses will not admit anything extreme. Too much noise confuses us, too much light dazzles us, too great distance or nearness prevents vision, too great prolixity or brevity weakens an argument, too much pleasure gives pain, too much accordance annoys.
I live on the margin of just about everything. I'm a marginal person, and I think that is where I've become comfortable. I'm marginally there in my native life. I can do as much as I can, but I'm always German, too, you know, and I'm always a mother. That's my first identity, but I'm always a writer, too.
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