A Quote by Simon Rex
I think it's such open game to make fun of myself. First of all, as a white rapper you have to have an angle and not try to be ghetto or anything. You can count on one hand the white rappers that have made it.
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You can count on one hand the white rappers that have made it. So I just wanted to show the point of view of an actor in Hollywood, because what could be more soft than that. Rapping about auditions and acting and stuff. I thought it was just uncharted territory to clown on, so that pushed through with Dirt Nasty.
If I was a white rapper, the bar for me would be Eminem. Of course his white skin helped him excel to heights that a lot of other rappers couldn't, but he still was talented. People gravitated towards him because of his skills. He stood the test of time.
I get offended when people say, 'So, being a white rapper...and growing up white...after being born white...' It's all I ever hear!
I look at Woody Allen's prolific career of 30 or 40 films, and I'm watching the clock. I'd love to work at a clip of a film a year. We don't get the benefit of the doubt, particularly black women. We're presumed incompetent, whereas a white male is assumed competent until proven otherwise. They just think the guy in the ball hat and the T-shirt over the thermal has got it, whether he's got it or not. For buzzy first films by a white male, the trajectory is a 90-degree angle. For us, it's a 30-degree angle.
I care most about what rappers think about me as a rapper, and I've gotten a lot of praise. I think rappers understand I'm a really good rapper, and that means more to me than a random person, you know, 'cause they know what goes into making rap music.
I went to this arts high school in Greenville, S.C. In speech class, the teacher, a white man, would say, 'You're talking ghetto. Don't talk ghetto.' I'm not only offended, but I'm confused because while there's nothing wrong with people who come from the projects or the ghetto, that's actually not my experience.
No, we are not anti-white. But we don't have time for the white man. The white man is on top already, the white man is the boss already ... He has first-class citizenship already. So you are wasting your time talking to the white man. We are working on our own people.
You know how a person is made for something? Eminem is made for hip-hop. The best rapper is a white man.
I don't think of myself as a poor deprived ghetto girl who made good. I think of myself as somebody who from an early age knew I was responsible for myself, and I had to make good.
Feminists must denounce the use of white insecurity - whether in relation to white womanhood, white neighborhoods, white politics, or white wealth - to justify the brutal assaults against black people of all genders.
Covertly invest into non-White areas, invest in ghetto abortion clinics. Help to raise
money for free abortions, in primarily non-White areas. Perhaps abortion
clinic syndicates throughout North America, that primarily operate in
non-White areas and receive tax support, should be promoted.
Honestly, I personally would prefer to have my name not mentioned alongside codifiers, like 'white rapper' or things like that, because the codifiers I like are Texas rappers. If you were to compare me to Lil' Keke or the people that really inspired me, like UGK... In my mind, that's who I think I should be compared to.
I would never try and play like Harry James, because I don't like his tone - for me. It's just white. You know what I mean? He has what we black trumpet players call a white sound. But it's for white music ... I can tell a white trumpet player, just listening to a record. There'll be something he'll do that'll let me know that he's white.
Now it's time to play a brand new game called Name That Barcode. Here's the first one: "Thick black, thin white, thick black, thick white, thick black, thin white." OK who's going to identify that?
I was made fun of in the Midwest - I was the only Asian in my graduating class of 200. Fortunately, I found my niche, and it was fine. But I wanted to be so white, you wouldn't believe it. I was like, 'I want to be white; I don't want to be this anymore.' But now I embrace it.
When you're in between the white lines, the game face is on. I was only focused on the task at hand - out, safe, ball, strike - leaving little time to think about how special a player, moment or game happened to be.
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