A Quote by Simon Toyne
Quest stories are about the oldest form of narrative there is, and they're also the perfect metaphor for life because we're all on a journey trying to figure out where we're going and who we are. 'Solomon Creed' is just doing it with more danger and guns involved.
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I've tried to figure out ways to be less pleased other than the search for perfection. Talk about a thing that'll make you have a miserable life. On that quest, on that journey, down that path, there's a lot of feelings of, 'Why am I doing all this?'
The biggest fear that everybody has is dying. Not to get too meta on you, but I think every fear that people are trying to work out is really like I'm going to die and no one is going to care, and it doesn't matter because God might not exist. That's what people are trying to figure out. I wish we all had one fear so we could think about it together and figure out a solution, but we're all doing different things.
Trying to talk through and figure out new answers really helps me figure out more about what I'm doing - and what we're all doing.
Listen, first of all, my wife is my best friend. My love for her is deeper than anything. The reality is, I'm not involved, I wasn't involved and I'm not going to be involved. Am I concerned for both of them Sure there's concern from me. I'm more worried about them than me. I'm like you guys, I'm trying to figure it all out.
'Solomon Creed' is a man who knows everything about everything but nothing about himself and is on a journey of redemption to try and reclaim his identity.
I'm trying to figure things out in the world. No one knows what this life thing is all about - there's no manual. Just trying to figure it out.
I do think that narrative, long-form nonfiction is the perfect form because it's rooted in something very real, but we're also, you know, completely spiritual, emotional creatures driven by all sorts of desires and needs.
The bigger point here is that golf is a good metaphor for one's life. The challenge of golf for me is trying to learn new rules. It's something you always have to work at; you don't get perfect at golf. It's the never-ending quest for betterment.
I think 'The Searcher' is a departure from my first because it's less grounded in religion and is far more rooted in the mythic tradition: more of an existential thriller where the main character is actually the central mystery, and his journey is all about trying to figure himself out.
There is danger involved in combat sports, but this is the purest form of competition. It's all about finding the truth. When you put someone in a cage or a ring, you're going to find out the truth - not only about your opponent but about yourself as well.
Quest is at the heart of what I do-the holy grail, and the terror that you'll never find it, seemed a perfect metaphor for life.
I always thought that's the exact metaphor, the perfect metaphor for acting. To go blind, to ignore the danger, and to totally trust.
A clearer and more conventional narrative would have helped the film without, in my opinion, lessening its beauty and its impact. Frankly, I'm still trying to figure out what I'm doing there and what I was supposed to add in that context! What's more, Terry Malick himself never managed to explain it to me clearly.
The Anansi stories were in my life because they're not just 'Br'er Rabbit and the Tar-Baby in the Briar Patch,' they're stories from Jamaica and Africa that my mum used to tell us when we were kids. So I learned about Anansi being not just a spider, but also a weird god-like figure since I was little.
I see so many people in the gym just slinging weight around. You can accomplish more if you squeeze the reps out in perfect form, instead of going big and trying to kill it every time.
I just thought someone has to figure out how to break through that barrier and create a narrative for a black super hero story to unfold at the same scale as something like Star Wars. Rythm Mastr is about producing a narrative of a hero engaged in a struggle as complicated as those other stories. The catalyst for it was the beginning of the demolition of public housing in Chicago.
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