A Quote by Simon Van Booy

Athens is the birthplace of modern tragedy. In the Greek tragic plays, the tableau of the characters would become a statue, like the statue of Oedipus reaching up to the Gods with blood spilling out of his eyes. I love the way the Greeks would immortalize experience. Things that all of us feel.
I'm from Oklahoma City, and there's a statue across from the site of the Alfred P. Murrah Federal Building of Jesus. It's called 'Jesus Wept.' And I love this statue because it's a statue of Jesus with his head in his hand. And his sadness and his pain at some of the choices that are made here - that just breaks his heart.
I would like to carve my novel in a piece of wood. My characters—I would like to have them heavier, more three-dimensional ... My characters have a profession, have characteristics; you know their age, their family situation, and everything. But I try to make each one of those characters heavy, like a statue, and to be the brother of everybody in the world.
When they told me there would be a statue erected at Wrigley Field, I was happy with that. I know there will be a meeting place for a lot of people. There will be a conversation every day. They say now, 'I'll meet you at Ernie Banks' statue.' After Sept. 7, they'll say, 'I'll meet you by Billy Williams' statue.'
I get chills when I think that there's a statue of Phil Lynott on a street in Dublin, that people leave flowers by the statue. I love stuff like that.
The sculptor who deals with form seeks to imprison beauty in a marble statue that will withstand the ravages of time during millenniums; but a marble statue is cold and speaks to but a few of the most evolved who are able to infuse the statue with their own life.
As a memorial, I'd like a statue. Not of me, but a little modern statue, in marble or bronze, maybe of a bird, in a park where children could play and people going by could see it. On it, I'd just like it to say: 'Maeve Binchy, storyteller' and people could look at the name and remember that they'd seen it somewhere else.
Without "The Law of Moses" would we all be wandering around like little gods, stealing, raping, and spilling blood whenever our vanity was offended?
If one were required to increase the dramatic seriousness of his face in relation to the seriousness of the problems he had to confront, he would quickly petrify and become his own statue.
Had there been no Renaissance and no Italian influence to bring in the stories of other lands English history would, it may be, have become as important to the English imagination as the Greek Myths to the Greek imagination; and many plays by many poets would have woven it into a single story whose contours, vast as those of Greek myth, would have made living men and women seem like swallows building their nests under the architrave of some Temple of the Giants.
If I had written King Lear, I would regret it all my life afterwards. Because that work is so big, that its defects show as huge, its monstrous defects, things even minimal in between some scenes and their possible perfection. It's not the sun with spots; it's a broken greek statue.
What we were trying to do was take the notion of Greek tragedy, of fated and doomed people, and instead of these Olympian gods, indifferent, venal, selfish, hurling lightning bolts and hitting people in the ass for no reason — instead of those guys whipping it on Oedipus or Achilles, it’s the postmodern institutions . . . those are the indifferent gods.
There's a reason why in New York Harbor we have the Statue of Liberty, not the Statue of Equality.
I recommend that the Statue of Liberty be supplemented by a Statue of Responsibility on the west coast.
There's a statue of Jimmy Stewart in the Hollywood Wax Museum, and the statue talks better than he does.
I want a big 25-foot pink statue that holds my grave. Or I also might like the way the Indians did it. They hang you up on the top of a tree and the birds eat you. No, really I would probably choose cremating.
Yesterday, the country of Kosovo unveiled an 11-foot tall statue of former President Clinton. Yeah. That's right. The Clinton statue is so life-like, it's already been slapped 12 times.
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