A Quote by Simone Biles

At some point, I'll have to go get a real job. — © Simone Biles
At some point, I'll have to go get a real job.
Everybody is going to face adversity at some point, definitely when you leave college and try to get into the real world so to speak and get your first job.
I'm still awaiting the idea of drawing comics for a living being a reality. I feel like I've been dodging work for 20 years, and at some point, I'll have to get a real job.
I'm not just going to go back to my bedroom, get a job and 'get real with myself' - come on. I'm already too old, and I'm lucky to have a job at all.
It's funny, I talk to some of my friends and they don't want to to get a job at Starbucks. They don't want to get a job at, wherever, because they feel like it's below them. And I think the only thing that can be below you is to not have a job. Go work until you can get the job that you want to have.
I never expected to make a living from climbing, but it got to the point where I either had to get a job or start trying to make some real money from it. I didn't want to be 45 and a dirtbag.
I always assumed that at some point I would have to quit making jokes, get a real job and do something meaningful and productive that would actually benefit society. Fortunately this never happened.
Hip-hop is getting to the point now where they are going to start sounding like Al Jarreau or Bobby McFerrin or some of the other poets. Some of the better rappers can rap real fast without even melodies. It'll get to that same point.
At some point, you have to disconnect, if the obsession with playing a real person gets in the way of the movie at large. At the same time, we're all interested, as actors in trying to get as close to the real thing as we can, and whatever you can do in order to create that transformation feels fun and, for me, the furthest I can get away from myself is fun. It's all part of the costume, the accent, and all that stuff. It's about trying to get close without it being a detriment to the point of view of the story that you're trying to tell.
Unless you have a long-running series, most actors just go job to job if you're lucky to keep working. You just do a movie or a play or a TV thing, and it's over at some point.
That's what so great about making movies. It's that you get to do stuff you never would be able to do in real life. You get to go to a recording studio, you get to go to Navy ships and fly all over the world for press. And it's just a great job.
It kind of hit me at some point during the process that most people in the film business - not just the executives, the people who make them, too - tend to come from pretty upper-class backgrounds. If they go work a job, it's to have that experience, that sort of thing. After they graduate college, they have time to go visit Europe and take some time off and get their heads together. That kind of thing, I sure didn't have.
They keep extending these unemployment benefits to the point where people are afraid to go out and get a job, because the job doesn't pay as much as the unemployment benefit does.
Some people go to their job. That's the job they have; they have to do it. They hate their boss and their coworkers, this and that. It's hard to get along.
I'm interested in that thing that happens where there's a breaking point for some people and not for others. You go through such hardship, things that are almost impossibly difficult, and there's no sign that it's going to get any better, and that's the point when people quit. But some don't.
You get to have some bigger comedic moments with some very real dramatic stuff. All that in one makes for a fulfilling artistic job.
I think a lot of people want to, at some point in their life, be someone else, run away and escape, in some way. We actors do get to do it. We have a job that allows for that. We have an outlet for it.
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