There are a lot of questions I keep asking myself about why I do comedy. I guess I laugh to keep from crying. And I guess if you ever get me crying, I might not stop. This is the way I look at tragedy or else I'll cry.
I guess to just keep playing music; to just keep outdoing the last record.
I don't like to guess. Just react. Some guys are guess hitters. I just could never do it. If you guess and guess wrong, you have no shot of hitting anything else.
I keep surprising myself with films like 'Mission Kashmir,' 'Albela,' 'Farz,' and 'Bas Itna Sa Khwaab Hai.' All the roles are very different.
I keep to myself a lot, I guess.
I'm an ensemble guy, I guess - that comes from the theater. If I ever won some kind of award someday, I imagine I'd try to be very gracious, but in the end, I just want to keep working. I don't see why that, if you just put your mind to it and keep sowing the right seeds, you can't keep doing the things you want to do.
Writing on a computer feels like a recipe for writer's block. I can type so fast that I run out of thoughts, and then I sit there and look at the words on the screen, and move them around, and never get anywhere. Whereas in a notebook I just keep plodding along, slowly, accumulating sentences, sometimes even surprising myself.
. . .the most astonishing, the most surprising, the most marvelous, the most miraculous. . . the greatest, the least, the rarest, the most common, the most public, the most private till today. . . I cannot bring myself to tell you: guess what it is.
There's obviously some appeal in scenes for me - there's something I respond to. I keep doing those films where I put myself out there like that. I guess I look for those kinds of moments and I pride myself on being an actor who will do just about anything for a laugh - so long as it's within context of the scene in the movie and it's not gratuitous. I have to feel it'll make people laugh.
It ain't just one guy, it's a team game, and I'll get myself better, I'll keep working on my technique and trying to find ways to free myself and keep making plays.
I'm a full-contact actor, meaning that I love to act in my toes and in my fingers, and I just try to keep it surprising.
I'm human, I'm not perfect. I make mistakes all the time, but I guess my job is to keep those mistakes to myself, which I'm already fine doing and just try to be the best I can be for those kids.
I guess people think I'm aloof just because I don't talk much. I guess I'd think the same thing if I saw myself.
I can't bring myself to say, 'Well, I guess I'll be toddling along.' It isn't that I can't toddle. It's just that I can't guess I'll toddle.
In reality of everyday occurrences I've had to submit to people in order not to lose them. It's less the submission that bothers me, I guess, than how it makes my life miserable. And what happens if I can't forgive myself for making that choice? And what if, in order to keep on living, I have to continue to accept myself? What am I supposed to do? Conclusion: It'd be best if I'm destroyed. The best thing is for me just to vanish.
I always want to keep growing and keep surprising people, and showing them different parts of me.