A Quote by Simone de Beauvoir

In every society the artist or writer remains an outsider. — © Simone de Beauvoir
In every society the artist or writer remains an outsider.
I allegedly am an outsider writer, so I write from the perspective of somebody who doesn't completely fit in. But at the same time, I can state the fact that I don't know of any good writer who is not an outsider writer.
Every writer is an outsider.
Literature remains an indispensable human activity, in which the reader and the writer are engaged of their own volition. Hence, literature has no duty to the masses or society, and ethical or moral pronouncements added by busybody critics are of no concern to the writer.
Writing changed my life. It has an existential dimension, and that's the same for every writer. Every artist has a moment of awakening, of happening upon an idea that grabs hold of you, regardless of whether you are a painter or a writer.
Every artist, every scientist, every writer must decide now where he stands. The artist must take sides. He must elect to fight for freedom or for slavery. I have made my choice. I had no alternative.
As an artist you actually do have to make a choice to be an outsider. If you're an outsider you have the freedom to say what people on the inside don't dare to say.
You go through your life feeling like an outsider, and you respond to society in a different way when you feel like an outsider.
You are the song of every bird, you are the poet's every word, every artist's picture, every writer's play.
There is the intent of the writer and the interpretation by the artist. What the writer intended and what the artist interprets is not a 1-to-1 translation. It's a crossing of ideas that generates the stories that you see in print.
I think it's true that, as is often observed, the writer is always an outsider. A writer is someone who is telling stories about what's going on, which is something you can't do if you're totally caught up in the moment.
A good writer gets better only by learning to cut, to remove the ornamental, the descriptive, the narrative, and especially the deeply felt and meaningful. What remains? The story remains.
I'm definitely not an outsider artist. I'm very much an insider artist. I get written about in art magazines, and I'm not, like, in a mental institution. I'm a regular guy who went to art school.
Every writer from Montaigne to William S. Burroughs has pasted and cut from previous work. Every artist, whether it's Warhol or, you know, Dangermouse or whoever.
No matter what people say, the fact remains that it's not easy for an outsider to make it big in the industry.
As for work, without it, without painstaking work, any writer or artist definitely remains a dilettante; there's no point in waiting for so-called blissful moments, for inspiration; if it comes, so much the better--but you keep working anyway.
Every writer has to make an emotional journey from artist sitting in attic to being part of a business. The writer of a film is like Tinkerbell. You are only there because people believe in you. The moment they dont, because youre a pain the arse, youve lost.
This site uses cookies to ensure you get the best experience. More info...
Got it!