A Quote by Simone de Beauvoir
The writer can't stop her unconscious from showing up, that's certain.
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They also said she was unconscious and that Valentine wasn’t happy about it. He seems to be waiting for her to wake up.” “I’d stay unconscious if I were her,” Isabelle muttered.
Love your material. Nothing frightens the inner critic more than the writer who loves her work. The writer who is enamored of her material forgets all about censoring herself. She doesn't stop to wonder if her book is any good, or who will publish it, or what people will think. She writes in a trance, losing track of time, hearing only her characters in her head.
The representational-image urge is actually a kind of heightened perception, and I don't stop to think. I don't freeze up - it's actually a kind of letting-go. It's like dancing. At a certain point it's conscious, unconscious, everything is kind of coming together.
And yet he had loved her. A Bookish girl heedless of her beauty, unconscious of her effect. She'd been prepared to live her life alone but from the moment he'd known her he'd needed her.
From these prejudices there arises conflict, transient joys and suffering. But we are unconscious of this, unconscious that we are slaves to certain forms of tradition, to social and political environment, to false values.
We think we can – as normal people generally do – put up with a certain amount of unanalyzed unconscious material as long as it remains more or less quiet and does not interfere with normal life and normal activities When the unconscious disturbs, it has to be dealt with; if it keeps quiet, we do not make a systematic offensive against it.
I don't want to point out her flaws, but if I see her going on a self-destructive path, isn't it up to me as her friend to stop her?
I have scars on my hands from touching certain people...Certain heads, certain colours and textures of human hair leave permanent marks on me. Other things, too. Charlotte once ran away from me, outside the studio, and I grabbed her dress to stop her, to keep her near me. A yellow cotton dress I loved because it was too long for her. I still have a lemon-yellow mark on the palm of my right hand. Oh God, if I'm anything by a clinical name, I'm a kind of paranoiac in reverse. I suspect people of plotting to make me happy.
You should encourage a child to show off. You can say to a child, 'Stop being rude,' 'Stop shouting,' 'Stop jumping around on the furniture.' But 'Stop showing off'? That's awful.
A certain kind of shittiness, a certain kind of stagnation, a certain kind of darkness, goes on propagating itself by its own power in its own self-contained cycle. And once it passes a certain point, no one can stop it-even if the person himself wants to stop it.
You have to protect her. The more she uses it, the worse it'll get. Stop her, Rose. Stop her before they notice, before they notice and take her away too. Get her out of here." [...] "Don't let her use the power!. . .Save her. Save her from herself!
Life is a series of family photos in which eventually you stop showing up.
We're fighters. Stop worrying about showing up in a fur coat. Get out of here with that.
I'm looking for a writer who doesn't know where the sentence is leading her; a writer who starts with her obsessions and whose heart is bursting with love, a writer sly enough to give the slip to her secret police, the ones who know her so well, the ones with the power to accuse and condemn in the blink of an eye. It's all right that she doesn't know what she's thinking until she writes it, as if the words already exist somewhere and draw her to them. She may not know how she got there, but she knows when she's arrived.
Writer’s block is my unconscious mind telling me that something I’ve just written is either unbelievable or unimportant to me, and I solve it by going back and reinventing some part of what I’ve already written so that when I write it again, it is believable and interesting to me. Then I can go on. Writer’s block is never solved by forcing oneself to “write through it,” because you haven’t solved the problem that caused your unconscious mind to rebel against the story, so it still won’t work – for you or for the reader.
Psycho? The woman's senile. We had to stop at about thirty gas stations on the way over here. Finally I got tired of getting out of the car and showing her which was the Men's and which was the Women's, so I let her pick them herself. I worked out a system. The law of averages. I laid money on her and she came out about fifty-fifty.
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