A Quote by Simone de Beauvoir
I think it's wrong to write in a totally esoteric language when you want to talk about things which interest a multitude of women.
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We have what is happening as a result of the current administration in our country, which I think has taken us in a totally wrong direction, postulating totally wrong things.
You know, it shouldn't just be about women as heroic figures overcoming things, it just needs to be about women in general getting the opportunity to play a multitude of roles, telling a multitude of stories - just to express human experience from a woman's perspective. I hope, someday, we can get to that point. I'm all about representation.
Cosmopolitans begin, I think, with a sense of one thing we all certainly share, which is our fallibility. Nobody has reason to be confident that they're right about everything. That's one of the motivations for conversation across differences. It's in my interest to converse with people who are wrong about different things from the ones I'm wrong about!
Women in general interest me. I like how women are more liable to talk about real things, personal things.
One of things I write about a lot is the role of women. An older friend of mine said that she feels like there's always a tension between wanting to be free and wanting to be cherished. I think that's one of the things that my whole book speaks to, wanting to break out of the confines of the roles that are prescribed for women and yet at the same time, not wanting to be totally free. You want to have intimate relationships. It's that bursting out of confinement.
I feel like I'm changing as a human being, and I think that the work needed to be in line with where I'm at. When I was younger and I was making political work, I was trying to figure out where my work fit in because when you're young you're like, "I don't know." I'm Latino, I grew up in Mexico, and so I thought that maybe I had to talk about those things. Then finally I didn't need my identity to rely on anymore. So now the work is becoming about more esoteric things, I guess - my own sort of language.
[W]e need to talk over not only those things which are of vital importance to us as women, but also the things that are of especial interest to us as colored women.
People love to talk about the things that are important to them, but oftentimes as a journalist, if you're entering a world that's pretty esoteric and difficult to penetrate and has many barriers to outsiders, then the people inside that world just don't have the same language as you do.
I think it's okay to talk about grief and sorrow. Especially for women, when you lose a child or have a miscarriage, it's good to talk about it, as a lot of people don't want you to speak about those things. It makes people sad, but sometimes you've got to.
The way that I'm feeling the shift in movie industry is that women are allowed to be part of the development process. So I do feel like things are changing because I'm allowed to option books or write an original screenplay or direct. Those possibilities are really wide open. I think that males still struggle to write for females, which is totally fine because I don't think I could write a really impactful male role because that's not the life that I lived. So we'll just keep shouting and say we need more opportunities for not just women but people that are just different.
If the multitude is possessed of the balance of real estate, the multitude will have the balance of power, and in that case the multitude will take care of the liberty, virtue, and interest of the multitude in all acts of government.
When you write about esoteric things, it can be way out there.
When people talk to me about the digital divide, I think of it not so much about who has access to what technology as about who knows how to create and express themselves in the new language of the screen. If students aren't taught the language of sound and images, shouldn't they be considered as illiterate as if they left college without being able to read and write?
My interest as a writer is not in reflecting actual human speech, which, of course, does not occur in sentences and is totally undiagrammable. My interest is in trying to reflect the reality of experience - how we feel when we talk to each other, how we feel when we're engaging with questions that interest us.
You wrong yourself and me by assuming my interest in you is purely physical,” he went on. “I told you I am eager to further our acquaintance. I want to know what you think about things. What you want out of life. What you dream. -Lucien to Alice
I think I have a vested interest in thinking that the lyrics are important, but I think for us it's important that we all write things that mean something to us, and I think we're not really in the business of writing la-la-love-you chart pop songs. It needs to have a personal pulling in the gut for me, to want to write anything about it.
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