A Quote by Simone Signoret

I collect all the reviews of the films I turned down. And when they're bad - I have to smile. — © Simone Signoret
I collect all the reviews of the films I turned down. And when they're bad - I have to smile.
I turned down 'American Gigolo.' There are many films - like 'Ghostbusters' - that I turned down... The first one I did was 'Foul Play' with Goldie Hawn, but I turned down 'Animal House' - I turned that down.
I don't pay much attention to the press. My films always get good reviews and bad reviews. I just try to make the best film I can.
I've never had a movie that got great reviews. I've had movies that got different levels of good and bad reviews, but you can more or less count on plenty of bad reviews.
With all of my films if I get one bad review and a bunch of good reviews the bad one is the only one that will stay with me, which really sucks!
I've seen many shows ruined by bad reviews and good reviews, so I always tell my actors not to read the reviews until after the run is over.
Every year I tell myself that I’m not going to read any reviews and then I do. We’re all human and when I read something negative it hurts. I think when you write it’s part of the game, you’re going to get some good reviews and some bad reviews and that’s how it goes. I don’t write for the reviews.
Every year I tell myself that I'm not going to read any reviews and then I do. We're all human and when I read something negative it hurts. I think when you write it's part of the game, you're going to get some good reviews and some bad reviews and that's how it goes. I don't write for the reviews.
I turned down twelve films last year... Huge money films, but I had no respect for the writer or the work.
I have seen some films which were bad or trashy been given four stars. From that day on, I don't believe in reviews.
I get a sick joy out of bad reviews. I don't read good reviews.
The funny thing is that some reviews are published in magazines and websites that are seen by millions of people, and other reviews are in very small publications or less popular websites, and you just have to be lucky to have the good reviews land in places where more people see them, and bad reviews land in places where they will be less seen.
This false distance is present everywhere: in spy films, in Godard, in modern advertising, which uses it continually as a cultural allusion. It is not really clear in the end whether this 'cool' smile is the smile of humour or that of commercial complicity. This is also the case with pop, and its smile ultimately encapsulates all its ambiguity: it is not the smile of critical distance, but the smile of collusion
Everybody says before reviews come out, 'Oh, reviews don't matter,' just in case they're bad; everyone want to brace themselves.
I think you remember certain phrases from bad reviews. You don't remember all the bad reviews.
Writing is exhilarating, but reading reviews is not. I've been really devastated by 'good' reviews because they misunderstand the project of the book. It can be strangely galvanising to get a 'bad' one.
Some filmmakers make films to please themselves and a handful of critics, so they get 5-star reviews but their films don't run at the box office. I make films for the masses.
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