A Quote by Simu Liu
When I was 16 years old, I thought that backflips were like the coolest thing. So I spent like months and months of my life like, literally flipping onto my head.
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If you raise children, you forget what age they are. I mean you don't literally forget, but you treat a 13-year-old like she's 10 and there's a big difference in those three years and they can't stand it. They want to be treated like they're 17 when they're 13. And sometimes you can't help thinking of them as if they were 10 or 10 months old because it's all so recent. So we do overprotect sometimes.
Dear Sweetheart, Without you my days are endless. Days seem like weeks... Weeks feel like months... Months like years... Years like centuries... Centuries like... You get the idea.
I think there's a huge gap between no longer qualifying for benefits and being able to afford a life without benefits. When I went off government assistance - six months before I got the book deal - there were some months that were lean, I mean literally lean, like I lost a lot of weight. I could barely afford food.
To work for months and months and months, you kind of spill blood and give your heart and soul to something, and then you just sort of let it out into the universe and hope that people like it. How you see it in your head is never how you see it on the screen, so it's almost like an out of body experience.
Grief was like a newborn, and the first three months were hard as hell, but by six months you'd recognized defeat, shifted your life around, and made room for it.
There are times as an actor when you don't work for two months, sometimes three or sometimes six, and the only thing that's going to keep you sane is if you give back and live your life. I've definitely gone through that. It's like, 'Okay, I'm out of work for two months.' That's two months I can paint.
When you work on a story like the Weinstein investigation, every other non-critical part of your life disappears. For months and months and months, my life basically consisted of my work and my kids, my work and my kids.
For 'The Hotel' I spent one year to find the hotel, I spent three months going through the text and writing it, I spent three months going through the photographs and I spent one day deciding it would be this size and this frame...it's the last thought in the process.
To work for months and months and months, you kind of spill blood and give your heart and soul to something, and then you just sort of let it out into the universe and hope that people like it.
Months are different in college, especially freshman year. Too much happens. Every freshman month equals six regular months—they're like dog months.
When I finish a film, I like to drastically change my appearance. I get sick of looking at the same thing in the mirror for months at a time. So when a film's over, I'll do something like shave my head.
To me, Doors fans were always the 16-year-old idiots at parties, getting stoned, and talking about how Morrison's lyrics were like poetry... like that was a deep thought.
I think sometimes when you can feel the velocity of change, like nowadays, you really need a seat belt. It's almost like having a growth spurt that you can feel, like a 16-year-old who woke up one day and grew four inches literally overnight. That can be a painful thing sometimes.
My daughter Lily's the oldest, and by the time she was six months, we just had books of photos. Poor little Maeve, who's six months old now My mom hasn't met her yet, and last night she said, 'Show me some pictures!' I'm looking through my phone like, 'Well, I got a couple, but they're from two months ago'
I spent a lot of time in my head, but not like caring about what everybody else thought, just literally in my own world.
I found Beam when he was 16 years old. He dropped his SoundCloud page onto my Facebook. 'I listened to it and was like, these tracks are actually dope.'
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