A Quote by Simu Liu
It does feel like we get to just carte blanche create a superhero origin story for 2021, for this day and age, that is told through a distinctly Asian American lens.
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I always feel like people misunderstand the difference between an Asian story and an Asian-American story. That's completely different, too. I have friends who grew up in Asia, and our experiences are so different. Even though we might look the same, I feel like being Asian and then being Asian-American is completely different.
As an Asian-American actor, I believe it is important to never settle for the status quo. I feel a responsibility to do everything in my power to create positive perceptions of Asian Americans through my work.
Just because there's one Asian American superhero in the MCU, it does not by any means imply that our fight is finished right there.
We always tell everyone that women's wrestling has always been told through the lens of a man because it's a male-dominated industry. It's never been told through the lens of a woman and we want to be able to tell that story.
Comedians have a huge carte blanche and the ability to get away with saying a lot of things.
If you want to make computers that really work, create a design team composed only of healthy, active women with lots else to do in their lives, and give them carte blanche.
Sometimes I don't even deliberate. I just decide from the bench, it's so obvious. The beautiful part is that I have carte blanche.
It's very difficult to be asking other people for opportunities. It is much more empowering to be creating opportunities, to be the one who is saying, 'Look, I'm going to take this from the ground up and create a story that is meaningful to me as an Asian American and cast it with Asian Americans and have Asian Americans writing it.'
Never give an artist like me carte blanche: he would think it's simply toilet paper.
With 'To All the Boys,' it's not an Asian rom-com. We tried to tell the coming-of-age story of a 16-year-old girl who just happens to be Asian.
I have to also get into producing if I want to see these stories being made... Let's venture out and do projects with people of different ethnicities: not just black but also Asian actors and Asian superhero films. Just an equality across the board.
Looking through the camera lens reduces noise; as humans we see a million shapes, colours and textures. What the lens does, what art does in general, is get rid of all the noise. It hones in and isolates the qualities of a scene.
I was asked, "How did you get pictures that look like this?" It doesn't happen today because now everybody has to have permission. But what you're looking at, is the product of somebody who has been given permission to work with raw materials and not be bothered. These are good examples of having carte blanche.
I have taken every amount of creative liberty and freedom that I can get and I've actually managed to push it. I would say being the champion gives me that freedom because you really get a little more carte blanche.
Does people not asking me about Asian American literature mean they don't see it as its own literary tradition? I certainly believe in it as its own literary tradition, because your race plays a great factor in how you are seen by the world, and how you see the world; the fact that I'm an Asian American isn't incidental to who I am as a writer. Where it becomes difficult is defining what, if anything identifiable at all, makes an Asian American book an Asian American book, other than the fact of its creator being Asian. And I'd argue that there is nothing identifiable beyond that.
Yeah, it's an origin story. But you very quickly get into the origin and then it's off to the races. It is an origin story, certainly, but it's not like the movie ends and somebody stretches. It happens pretty quickly and I'm not sure how much I'm allowed to say about it, but I think when people see that first hint, they'll be pretty excited about it.
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