In other countries, art and literature are left to a lot of shabby bums living in attics and feeding on booze and spaghetti, but in America the successful writer or picture-painter is indistinguishable from any other decent businessman.
The culture of suppressing women composers and performers goes centuries back in Germany and other countries. Just think of Fanny Mendelssohn and the struggles she and many other women had to endure to get their music recognized. How many women's compositions were left to languish in attics, only to be thrown out by future generations! So much has been lost over the centuries.
If literature has engaged me as a project, first as a reader, then as a writer, it is as an extension of my sympathies to other selves, other domains, other dreams, other territories.
If by day art is in the service of business, the evenings are devoted to the businessman's enjoyment of it. That is asking a lot of art, but art and the businessman make it work.
There's a whole lot of America that looks at each other and says, 'Well, there's 340 million people living in America. Isn't there somebody other than a Bush or a Clinton who can be president in these modern times?'
There's a whole lot of America that looks at each other and says, 'Well, there's 340 million people living in America. Isn't there somebody other than a Bush or a Clinton who can be president in these modern times'?
The sculptor, the painter the musician the dancer, or any artist, if he can first obtain celebrate in Paris, acquires very easily the esteem and eulogy of other countries.
Living in America means enjoying freedoms that people in many other countries cannot.
I believe that it is important for the artist, painter, poet, dancer, etc. to keep in mind that it is the art that drives the art world and not the other way around. Artists and other people of intelligence have the power to bring deeper content to our culture.
For the serious mediocre writer convention makes him sound like a lot of other people; for the popular writer it gives him a formula he can exploit; for the serious good writer it releases his experiences or emotions from himself and incorporates them into literature, where they belong.
What caricature is in painting, burlesque is in writing; and in the same manner the comic writer and painter correlate to each other; as in the former, the painter seems to have the advantage, so it is in the latter infinitely on the side of the writer. For the monstrous is much easier to paint than describe, and the ridiculous to describe than paint.
You know, we do a lot of complaining here in America. And that itself is something they can't do in a lot of other countries.
Children's literature is as valid an art form as any other.
I agree with Peter Drucker that the culture and legal systems of the United Statesare especially favorable to shareholder interests, compared to other interests and compared to most other countries. Indeed, there are many other countries where any good going to public shareholders has a very low priority and almost every other constituency stands higher in line.
We spend a lot of money on protecting other countries. And yet those other countries aren't paying nearly what it costs us for that protection. We're - they're getting one of the great bargains of all time...
You perhaps know me as a novelist. Literature is one of the arts - in fact, the noblest of the arts. That is not my opinion; it was first expressed by the ancients. As art, literature has many similarities with the other art forms.
America ranks 21st when it comes to math education. We rank 25th when it comes to science. We used to be number one in the proportion of college graduates. We now rank ninth. And at an age where knowledge, skills, are the determinant of how successful we're going to be, unless we reverse that we're going to keep slipping behind economically to a lot of other countries.