A Quote by Sinead O'Connor
The sexuality is being sold to the artists as power when in fact it's not; it's a way of hypnotizing their audience.
Related Quotes
I'm trying to engage issues of power and sexuality and money and life and death and power. Power is the most free-flowing element in society, maybe next to money, but in fact they both motor each other.
It is not the job of artists to give the audience what the audience want. If the audience knew what they needed, then they wouldn’t be the audience. They would be the artist. It is the job of artists to give the audience what they need
There are so many bad songs that have incredible videos. It's pretty amazing, actually. The power of putting images to music is hypnotizing. It's a real power. That's a realm that I've failed at completely.
In actual fact. The manifold sexualities - those which appear with the different ages (sexualities of the infant or the child), those which become fixated on particular tastes or practices (the sexuality of the invert, the gerontophile, the fetishist), those which, in a diffuse manner, invest relationships (the sexuality of doctor and patient, teacher and student, psychiatrist and mental patient), those which haunt spaces (the sexuality of the home, the school, the prison)- all form the correlate of exact procedures of power.
Sexuality is so much more complex than our boobs. My sexuality isn't me as an object to be looked at. It's the way I say "hello" to somebody, the way I sit with somebody. A body is just a body. But we're really afraid of bodies. They hold a lot of power - I think that's why people can try to shame them so easily, because they are so powerful.
I just feel my sexuality is private. I'm very shy about being sexy. That part of me has been so closed to the public eye. I've sold millions of records with my clothes on.
Unchecked pride evolves into swagger, a hypnotizing mask of insecurity that can and does compromise our ability to make progress and attain power. Pride stands in the way of forgiveness and a strategic approach to navigating a chessboard rigged to prevent pawns from becoming kings and queens.
I don't mind being sexy, but on my terms. To this day, I love sexuality. I love the art of sexuality. I love Lady Gaga and the performance of sexuality. The mysterious, the artistic and the slightly perverse. I'm interested in all that.
Remember, despite the fact that this book is being sold as a 'fantasy' novel, you must take all of the things it says extremely seriously, as they are quite important, are in no way silly, and always make sense. Rutabaga.
Sycophancy toward those who hold power is a fact in every regime, and especially in a democracy, where, unlike tyranny, there is an accepted principle of legitimacy that breaks the inner will to resist.... Flattery of the people and incapacity to resist public opinion are the democratic vices, particularly among writers, artists, journalists and anyone else who is dependent on an audience.
Female sexuality is presented in our culture as a male fantasy, which doesn't include the reality of the abuse, the pleasure, the pain, the power, the complexity of women's sexuality.
Stop trying to find the formula that will instantly make your idea into a winner. Instead of being scientists, the best marketers are artists. They realize that whatever is being sold is being purchased, because it creates an emotional want, not because it fills a simple need.
I was worried that I, the artist Morimura, would have conflicts with the participating artists and develop a strenuous relationship with them. But the actual experience was completely the opposite. The artists accepted my requests rather positively, because it came from a fellow artist. I strongly feel that the fact that my being an artist avoided the usual curator vs artist tension, and led to creating a positive atmosphere as well as developing a solidarity amongst artists and building a community for artists.
There is a common, puritanical way that we look at things where, if it involves sexuality, somehow the women must be compromised. It's just chauvinistic to deny women their sexuality. It's about empowering. It comes down to choices. If the choices are available and they're making that choice, they're not being exploited.
I love storytelling and I love just relating directly to an audience. That's why we do theatre, it's because we love contact with the audience. We love the fact that the audience will change us. The way the audience responds makes us change our performance.
I was not a popular girl, so being able to create punk who didn't have to be beautiful in the mainstream way helped me to get in touch with sexuality and become comfortable with the idea that I didn't have to look like Farrah Fawcett to feel attractive, to feel sexual power.
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