A Quote by Sinead O'Connor

I'm on fire when I'm singing, I'm completely in character, I use my sense memories, and every syllable of it is meant. It's a very special thing. — © Sinead O'Connor
I'm on fire when I'm singing, I'm completely in character, I use my sense memories, and every syllable of it is meant. It's a very special thing.
The first thing I ever got my hands on was Andy Griffith's 'What It Was, Was Football.' I was fascinated with the fact that every syllable made it funny, and I would laugh even though I didn't know what any of it meant.
I shall miss all the people in it and the great fun we had doing it. I enjoyed playing the character very much. It was a very, very special character and a very special series. And the camaraderie of it all. I loved it.
To learn to read is to light a fire; every syllable that is spelled out is a spark.
My favorite song he ever wrote was 'Cold Cold Heart.' If you think about it, the lyric to 'Cold Cold Heart,' see how many two syllable words are in that song. Very, very few. ... Verses and the choruses have very few two syllable words. 'I tried so hard my dear to show that you're my everything.' One three-syllable word.
Maybe it meant something. Maybe not, in the long run, but no explanation, no mix of words or music or memories can touch that sense of knowing that you were there and alive in that corner of time and the world. Whatever it meant.
I find my voice and manage to say those three one-syllable words back to him. Words I haven't uttered in a very, very long time. Words that meant nothing before now.
Nostalgia doesn't make sense, because it's like bringing the memories back to be a special part of my day or to be part of my week. And I'm inside my memories the same way I'm inside my everyday life.
I don't have to build up strength; I have been blessed with it. I do lift weights and train hard, but I am a very special individual - a very special man with very special talent and very special power. I can get any man - any man - out of there in a matter of seconds. That is the thing I love about myself.
Some memories come with a very compelling sense of truth about them. And that happens to be the case even with memories that are not true.
Every character I do is something special to me. Every time you score with a great character relationship in a movie, it becomes your baby.
Johnny Blaze was my character at OVW. I had all these fancy fire catchphrases: 'Call the fire department,' 'Get your fire extinguishers out, ladies.' 'By the time you hear the thunder, it's going to be too late because the lightning will have already struck.' That was all my thing.
'Material' is meant to be a fun, lighthearted song about the tiny bit of materialism that's in all of us. The message is meant to translate the notion that you don't need luxury items to feel special; you already are special.
Ultimately, I don't think you can be a character who's completely alien or divorced from your own personality. It's probably true of every writer - it's probably true of every filmmaker, every songwriter - that, ultimately, every character you create is a facet of yourself.
Life is meant to be a celebration! It shouldn't be necessary to set aside special times to remind us of this fact. Wise is the person who finds a reason to make every day a special one.
'Dogfight' is my favorite thing I've ever worked on. It's such a special piece, and I'm so close to the character of Rose. I loved doing it every night.
I have good memories and bad memories of games against Chelsea. All the goals are good memories because all of them are special.
This site uses cookies to ensure you get the best experience. More info...
Got it!