A Quote by Sinqua Walls

I always choose music based on whatever the scene calls for, or whatever my mood is supposed to be. — © Sinqua Walls
I always choose music based on whatever the scene calls for, or whatever my mood is supposed to be.
It's always different for whatever the scene asks for but usually, I listen to music before the scene just to get into the mood, mellow myself out and really put myself into the character's shoes. I zone out from everything going on around me and just focus on what I have to do. From there, I just let it happen.
Whatever character you play, whatever film it is, whatever story it is, for me, in my training it's always something that gives you a layered character, it's understanding the secret of that character, and so whatever comes up as "Oh, I thought that person was that," you are always carrying that within you. So actually what you're playing all the way through is both and it's just what comes out in the scene or the circumstance.
Whatever I'm feeling, whatever I'm going through, whatever mood I'm in... If I'm feeling like dancing or clubbing, then it will be reflected in the music. If I'm feeling dark and vulnerable, then it will reflect in the music, too.
I love music. I love creating, so I just get inspired with whatever mood I'm in. Whatever the story dictates, that's where my mind goes.
No matter what I'm writing, I almost always start with the music. Definitely, the melody seems to set the tone for whatever emotions come to follow, and whatever's going to be written down. It always starts with the music, for me.
Music is supposed to be an escape. It's supposed to be somewhere you go, where you can be yourself, or be whatever you want to be.
Music is supposed to be an escape, It's supposed to be somewhere you can go, where you can be yourself, or be whatever you wanna be.
While we are each free to believe whatever we choose, we cannot do whatever we choose.
I look at it scene-by-scene. Whether it's a historical character or not, whatever, on the page is one thing and delving into the history or somebody is one thing, but making something work for an audience in front of a camera is another exercise and you bring whatever authenticity you can to it.
You not supposed to feel down over whatever happen to you. I mean, you're supposed to use whatever happen to you as some type of upper, not a downer.
The truth is that's always when it's the most fun, when you're able to just be wherever you are, be whatever scene it is you're doing, whatever the incredible actors you're with. Being busy is something that I just love and thrive on.
Whatever I'm doing, whatever comes along, this music is something that I've always wanted to do.
I always try to tell the story the best possible way. I create the mood for each scene in a way that the audience feels that they are right there with me and they feel actually in the mood that was right for the scene.
Our time here is magic! It's the only space you have to realize whatever it is that is beautiful, whatever is true, whatever is great, whatever is potential, whatever is rare, whatever is unique, in. It's the only space.
First of all, you're improvising through a puppet, so you're not always yourself: you're a cow or you're a pig or you're an old woman, you know, whatever puppet you pick, or you're a demon, you know, whatever you pick up, that's what you get to be in the scene.
As an actor, you always find your way. You have whatever preparation techniques you use, and you just go with the scene when you're on set. You can only plan so much when you're working, because things have to come naturally in the scene.
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