A Quote by Siobhan Davies
I don't start a piece knowing exactly what effect it's going to have. There is a seed of an idea that I could never articulate, right at the beginning of the piece, literally like one cell.
Related Quotes
The first idea, the first art piece I ever did, was when I was four. I cut the seed of a pear in half and the seed of an apple in half in put those two halves together and planted the seed, hoping a very strange tree might grow. And I never stopped.
Very often, if I know the orchestra doesn't know a piece or it's a new piece, I have main ideas about it. But then we start to play and I never talk about places where they played so beautiful and so clear in the beginning that there is nothing to say.
Before I started working on a computer, writing a piece would be like making something up every day, taking the material and never quite knowing where you were going to go next with the material. With a computer it was less like painting and more like sculpture, where you start with a block of something and then start shaping it.
Piece by piece, I fed my wardrobe to the night wind, and flutteringly, like a loved one’s ashes, the gray scraps were ferried off, to settle here, there, exactly where I would never know, in the dark heart of New York.
Arriving at a simple piece of music is a very difficult balance because, in being simple, you could easily be banal, so maybe it's more difficult to write a simple piece of music than a 12-tone piece where no one understands exactly what it is about.
That's what this democracy was for us, a huge supermarket of mass man where we could take a piece here and a piece there to make our personalities for ourselves instead of putting up with what was given at the beginning.
Piece by piece living is hard to do. It may even feel like the hardest thing. But it has this going for it: you never need to know what it is you're carrying on your shoulders.
It was like when you ripped a piece of paper into two: no matter how you tried, the seams never fit exactly right again.
I do very, very, very simple, skimpy doodles, nothing too committed. Because people tend to fall in love if they like it - if you color it in and they like it, then they want exactly those colors, even if they were just indications. You really have to do it as simple as possible so they can concentrate on the idea and composition. And then all of the energy goes into making the final piece. And the final piece can be anything - it can be a drawing, a painting, a collage - and usually, it's obvious what that should be. Usually, the idea dictates what medium you use.
People became more interested in my love life than in me, and that has a certain effect. You start to feel very empty and worth nothing, you start to become a piece in a board game you never wanted to play.
You're not going to see me in a bikini again, that's for sure. I was horrified to wear that. I was mortified. I was like, "Danny, can you put me in a one-piece?," and he gave me that red bikini. I was like, "That's not a one-piece. That's a two-piece with a string."
We are in a very strange way going back to the mentality of the time when Americans went in covered wagons. I imagine they had a piece of cloth, and the piece of furniture they carried with them meant to be a good piece of wood, and sturdy. We're going back to that.
I have no idea of what it's going to look like when I start a piece. Making art is like having a relationship. You want to bring in some ideas, but if you don't allow it to develop naturally and speak to you as it develops, you end up imposing and projecting upon it.
Making a movie is like chipping away at a stone. You take a piece off here, you take a piece off there and when you're finished, you have a sculpture. You know that there's something in there, but you're not sure exactly what it is until you find it.
Making your bed could be a piece of art, and writing a book could be a piece of art. You could also write a book that's not a piece of art, but that is a book, and it could be a book that was written by an artist.
Another thing about creation is that every day it is like it gave birth, and it's always kind of an innocent and refreshing. So it's always virginal to me, and it's always a surprise. ... Each piece seems to have a life of its own. Every little piece or every big piece that I make becomes a very living thing to me, very living. I could make a million pieces; the next piece gives me a whole new thing. It is a new center. Life is total at that particular time. And that's why it's right. That reaffirms my life.
Related Authors
A. J. Pritchard Quotes
British
Dancer
Bez Quotes
English
Dancer
Cheryl Burke Quotes
American
Dancer
Craig Revel Horwood Quotes
Australian
Dancer
Darcey Bussell Quotes
English
Dancer
Martha Graham Quotes
American
Dancer
Mary Helen Bowers Quotes
American
Dancer
Mikhail Baryshnikov Quotes
American
Dancer
Misty Copeland Quotes
American
Dancer
Rakhi Sawant Quotes
Indian
Dancer
Savion Glover Quotes
American
Dancer
Shakti Mohan Quotes
Indian
Dancer
Shirley Ballas Quotes
English
Dancer
Sylvie Guillem Quotes
French
Dancer
Twyla Tharp Quotes
American
Dancer
Valentin Chmerkovskiy Quotes
Ukrainian
Dancer