A Quote by Siobhan Davies
If I only made dances about my own experience in dance, it would always be on my track, and I don't want that, I want to be on the track of where dance can take me.
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I grew up an athlete. Track and field and dance. In track, I actually went to the Junior Olympics. I've always been very athletic.
I don't want to do the normal dance track song.
People like to hear songs that they can dance to. Even if they're sitting, they like being made to want to dance and move. By me being a dancer, I know how I'd dance at certain tempos. I was always good at it.
I saw the dance as a vision of ineffable power. A man could, with dignity and a towering majesty, dance. Not mince, cavort, do "fancy dancing" or "showoff" steps. No: Dance as Michelangelo's visions dance and as the music of Bach dances.
I'll always have a totally open mind to endless possibilities. I want to do a dance album. Not Techno, but a record that's exclusively designed for people to dance to. That whole dance genre is kinda into its own world. I'd just like to get in there and mess around with that.
When I am dancing, it feels like my prayer. It's like an offering. I offer my head back to the dance, I offer my shoulders back to the dance, my elbows, my hands, my spine, my knees, my feet, my whole self, my bones, my blood, my experience, my suffering... I offer it all back to the dance and I say: take it, do whatever you want with me. Release me.
Since I was a child, I always loved music that made me want to dance. As a teenager, I used to dance the night away to electronic music.
There was a culture that came out of the self-esteem movement which was don't anybody keep track of the goals. The kids keep track, but nobody keep track of the goals because we don't want the kids to have the experience of losing. And in depriving them losing, thinking it scarred them to lose, we made losing so taboo, so unspeakable, that we instead made losing more scary to kids, not less scary.
I'm not bragging but I used to be rather beautiful, with lovely legs, and people would always ask me to dance. But suddenly people didn't take any notice of me any more. I was at a party in my 50s and was forced to dance with a chair because nobody wanted to dance with me.
Truth cannot be defined, although it can certainly be experienced. But experience is not a definition. A definition is made by the mind, experience comes through participating. If somebody asks, "What is a dance?" how can you define it? But you can dance and you can know the inner feel of it. God is the ultimate dance.
I would love to pursue other things only if they are related to dance, as I have always been passionate about dance.
There's no thinking involved in my choreography... I don't work through images or ideas. I work through the body... If the dancer dances, which is not the same as having theories about dancing or wishing to dance or trying to dance, everything is there. When I dance, it means: this is what I am doing.
I always go for that live, honest feel when I'm going for that first rhythm track. I'll never hold back on a part just so it'll be easier for me to double it later on - to my ears, it sounds sterile if you do that. I always want to get that initial track kicking and full of slurs, squeals and feel. I'll worry about doubling it later!
It's important to run not on the fast track, but on your track. Pretend that you have only six months to live, and make three lists: the things you have to do, want to do, and neither have to do nor want to do. Then, for the rest of your life, forget everything on the third list.
If we want an international trade deal that advances the interests of our own people, then perhaps we don't need a 'fast-track' but a regular track: where the president sends us any proposal he deems worthy, and we review it on its own merits.
We dance for laughter, we dance for tears, we dance for madness, we dance for fears, we dance for hopes, we dance for screams, we are the dancers, we create the dreams.
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