A Quote by Siobhan Fahey

Most of my life I've had long periods of feeling down and lost. That's why every five years or so I've smashed my life to pieces and started again. — © Siobhan Fahey
Most of my life I've had long periods of feeling down and lost. That's why every five years or so I've smashed my life to pieces and started again.
'Trilogy' was more of a claustrophobic body of work. Before it was released, I hadn't left my city for 21 years, and I had never been on a plane, not once. I spent my entire life on one setting; that's probably why pieces of the album feel like one long track, because that's what my life felt like. It felt like one long song.
In my terms, I settled for the realities of life, and submitted to its necessities: if this, then that, and so the years passed. In Adrian's terms, I gave up on life, gave up on examining it, took it as it came. And so, for the first time, I began to feel a more general remorse - a feeling somewhere between self-pity and self-hatred - about my whole life. All of it. I had lost the friends of my youth. I had lost the love of my wife. I had abandoned the ambitions I had entertained. I had wanted life not to bother me too much, and had succeeded - and how pitiful that was.
I've had down periods in the past few years where I haven't been writing or working on music, and during that time something always felt like it was missing, but when I bring it back into the equation, everything in my life makes sense again. As corny as that sounds.
There were periods of my life when a lot of people didn't believe in me. I still had faith in myself. I really had to ask myself life questions. Where do I see myself in five years? Create a ladder for yourself, and walk up the steps. Climb that ladder.
I was always matching wits with authority. Pondering over my past and present hassles, I began to wonder why my life had taken the direction it had. What cosmic forces had led me to this precise moment that saw me, once again, dancing on the rim of the volcano? The answers started to come to me as my life flashed before my eyes. I think it all started when I was arrested as a pyromaniac.
I had five years in the business in Canada, and then I came down to the States in February of 2010. I had a good pilot season. I started getting guest star work. I started to get bigger stuff.
It started off with flu-like symptoms and pain; then, I started feeling really funny. In two weeks, I was paralyzed from the waist down, and it spiraled down from there. Every ability I had was slowly slipping away.
The guys that write Once Upon a Time were major writers on Lost, and we had lunch when I started on OUAT and the first thing I said to them was, "I spent five years on Lost, you have to tell me, was my character good or bad?" They looked at me and said, "We have no idea." That's why you have to make your own backstory. I decided Widmore was the evilest of the evil, but in the end, not even the writers knew.
You should have felt the buzz the moment all five of us got together in the same room for the first time again. We all started laughin'—it was like the five years had never passed. We knew we'd made the right move.
What is the foundation of that interest all men feel in Greek history, letters, art, and poetry, in all its periods, from the Heroic or Homeric age down to the domestic life of the Athenians and Spartans, four or five centuries later? What but this, that every man passes personally through a Grecian period.
Relationships never break cleanly. Like a valuable vase, they are smashed and then glued back together, smashed and glued, smashed and glued until the pieces just don't fit together anymore.
I got bored and then joined the British SAS. It was five very exciting years of my life, and then I'd always had this passion for swimming, so started swimming around the world, in some of the most exotic and distant and dangerous locations.
I get this adrenaline rush from just going down the course and feeling like I made a really great turn and I'm going to do it again and again and again. That feeling can't be replaced, and that's the feeling I'm striving to get every time I go out there.
I spent five years of my life being treated for cancer, but since then I've spent fifteen years being treated for nothing other than looking different from everyone else. It was the pain from that, from feeling ugly, that I always viewed as the great tragedy of my life. The fact that I had cancer seemed minor in comparison.
As mankind grew obsessed with its hours, the sorrow of lost time became a permanent hole in the human heart. People fretted over missed chances, over inefficient days; they worried constantly about how long they would live, because counting life’s moments had led, inevitably, to counting them down. Soon, in every nation and in every language, time became the most precious commodity.
Merlin was five years of my life. I enjoyed every year, every day. I had a brilliant time on it. But I'd be lying if I didn't say I wanted to do more.
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