A Quote by Sir Fulke Greville
There is an unfortunate disposition in a man to attend much more to the faults of his companions which offend him, than to their perfections which please him.
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Every man has a bag hanging before him, in which he puts his neighbour's faults, and another behind him in which he stows his own.
Excellence or virtue in a man will be the disposition which renders him a good man and also which will cause him to perform his function well.
Sky is the part of creation in which Nature has done more for the sake of pleasing man, more for the sole and evident purpose of talking to him and teaching him, than in any other of her works, and it is just the part in which we least attend to her.
Such excessive preoccupation with his faults is not a truly spiritual activity but, on the contrary, a highly egoistic one.The recognition of his own faults should make a man humbler, when it is beneficial, not prouder, which the thought that he ought to have been above these faults makes him.
Are we not rude and deserve blame, if we leave Him alone, to busy ourselves about trifles, which do not please Him and perhaps offend Him? 'Tis to be feared these trifles will one day cost us dear.
In the name of what - except perhaps the coefficient of rarity - does man adorn himself with necklaces of shells and not spider's webs, with fox fur and not fox innards? In the name of what I don't know. Don't dirt, trash and filth, which are man's companions during his whole lifetime, deserve to be dearer to him and isn't it serving him well to remind him of their beauty?
Love is an active power in man; a power which breaks through the walls which separate man from his fellow men, which unite him with others; love makes him overcome the sense of isolation and separateness, yet it permits him to be himself, to retain his integrity.
It is a fearful thing to hate whom God hath loved. To look upon another-his weaknesses, his sins, his faults, his defects is to look upon one who is suffering. He is suffering from negative passions, from the same sinful human corruption from which you yourself suffer. This is very important: do not look upon him with judgmental eyes of comparison, noting the sins you assume you'd never commit. Rather, see him as a fellow sufferer, a fellow human being who is in need of the very healing of which you are in need. Help him, love him, pray for him do unto him as you would have him do unto you.
"Do you like him much?" "I told you I liked him a little. Where is the use of caring for him so very much: he is full of faults." "Is he?" "All boys are." "More than girls?" "Very likely."
Man is more than his environment. It is from the innate quality of the Spirit in him, his inner storehouse, that he draws those ideas, his intuitions, which unify his perceptions of the external world instantaneously with a value which is qualitative and not quantitative, and which he embodies in the works of his culture - those achievements which belong not only to one particular time but to all times, and mark the path of his upward progress.
To be successful, a man must exert an effective influence upon his brothers and upon his associates, and the degree in which he accomplishes this depends on the personality of the man. The incandescence of which he is capable. The flame of fire that burns inside of him. The magnetism which draws the heart of other men to him.
Say of him what you please, but I know my child's failings. I do not love him because he is good, but because he is my little child. How should you know how dear he can be when you try to weigh his merits against his faults? When I must punish him he becomes all the more a part of my being. When I cause his tears to come my heart weeps with him. I alone have a right to blame and punish, for he only may chastise who loves.
I wrote 'The story of O' alone, for Dominique Aury, to interest him, to please him, to occupy him. I wasn't young, nor particularly pretty. I needed something which might interest a man like him.
I know no study which is so unutterably saddening as that of the evolution of humanity, as it is set forth in the annals of history. Out of the darkness of prehistoric ages man emerges with the marks of his lowly origin strong upon him. He is a brute, only more intelligent than the other brutes, a blind prey to impulses, which as often as not led him to destruction; a victim to endless illusions, which make his mental existence a terror and a burden, and fill his physical life with barren toil and battle.
My conception of the audience is of a public each member of which is carrying about with him what he thinks is an anxiety, or a hope, or a preoccupation which is his alone and isolates him from mankind and in this respect at least the function of a play is to reveal him to himself so that he may touch others by virtue of the revelation of his mutuality with them. If only for this reason I regard the theater as a serious business, one that makes or should make man more human, which is to say, less alone.
There are five dangerous faults which may affect a general: recklessness, which leads to destruction; cowardice, which leads to capture; a hasty temper, which can be provoked by insults; a delicacy of honour, which is sensitive to shame; over-solicitude for his men, which exposes him to worry and trouble.
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