A Quote by Sir Mix-a-Lot
When I came out with 'Posse on Broadway,' I decided, enough with trying to imitate New York, enough with trying to imitate L.A., let's just be Seattle. And rock, grunge, followed right after 'Posse on Broadway' and Seattle just exploded.
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I'm probably going to be ashamed to say this... It was a Sir Mix-a-Lot album. I think I was 12, 13. I had just enough money for the 'My Posse's on Broadway' single, so I bought that single. That was the first thing I bought with my own money.
If you don't go to Broadway, you're a fool. On Broadway, off Broadway, above Broadway, below Broadway, go! Don't tell me there isn't something wonderful playing. If I'm home in New York at night, I'm either at a Broadway or an Off Broadway show. We're in the theater capital of the world, and if you don't get it, you're an idiot.
Yeah, I put out some goofy stuff. I had no idea who I was as an artist at all before 'Posse on Broadway.'
And I don't consider Broadway the acropolis of theatrical art. I mean Broadway is commercial - that's what it is. It's expensive seats and a lot of them that have to be filled every night. Off-Broadway and off-off Broadway as far as I'm concerned is in New York the pride of New York theater.
And I don't consider Broadway the acropolis of theatrical art. I mean Broadway is commercial - that's what it is. It's expensive seats and a lot of them that have to be filled every night. Off-Broadway and Off-Off Broadway, as far as I'm concerned, is in New York the pride of New York theater.
'Hairspray' was my first Broadway show. In the meantime, after the show was over, I would go down and do gigs at these clubs that I wasn't even old enough to get into. That continued on, and I think what ended up happening was that I just got these incredible opportunities on Broadway.
I would absolutely love to do a revival of 'Bury the Dead' by Irwin Shaw on Broadway, but it would have to be Joe Calarco's version that we did Off-Broadway at The Transport Group in 2008. It was just one of those amazing shows that didn't run long enough and not nearly enough people got a chance to see.
I mean, if you look at all the great romantic screwbally kind of movies from the '30s and '40s, they're all in New York. Even 'Sleepless in Seattle,' a movie about Seattle, ends up in New York, of course. The whole country, even if they've never been to New York, knows about it... from the movies.
I could sum it up in one thing: A guy has to be what he is. He's got to coach and have a philosophy based on his own personality. You see too many coaches trying to imitate other coaches, trying to be someone else. It's all right to emulate the qualities of good coaches but I don't think you should imitate. You've got to be yourself.
They said these North Korean missiles had enough range to hit Seattle, but residents in Seattle were not worried. Today Bill Gates said Microsoft has enough missiles to destroy North Korea ten times over.
I got to Broadway a year after I came to New York. I starred in 'Butterflies Are Free' and got a Tony for it. Right out of the gate. Maybe that's why I wasn't very gracious about it. I wasn't driven. And right after 'Butterflies Are Free', I got married and then started a family. I always wanted that.
By the end of the 1980s, Seattle had taken on the dangerous lustre of a promised city. The rumour had gone out that if you had failed in Detroit you might yet succeed in Seattle - and that if you'd succeeded in Seoul, you could succeed even better in Seattle... Seattle was the coming place. So I joined the line of hopefuls.
I'm not a person who believes that Broadway is the only place. I think there's lots of work that goes on outside of Broadway and outside of New York that's better than anything Broadway has ever seen. But, it's historically the place. It's one of the centers of the universe, in many ways.
I love Seattle. I lived out in Seattle for a while, and the food there is so phenomenal. It's so fresh and gorgeous, and just beautiful and simple. I really love that place.
Seattle isn't known for a particular production sound, so that leaves a lot of great producers in Seattle doing kind of their own thing. And I think, for me, I was probably enough removed from hip-hop that my style was even a little bit weirder than that.
As far as the grunge thing, there are three bands from Seattle that I would call true grunge.
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