I liked Bugs Bunny. He was pretty good. He's annoying as a duck and he's anti-proletarian. Daffy Duck I couldn't see what was going on with him. He seemed like he was angry about something. My favorite one though is Pinocchio. I liked that kid. He was made of wood. I liked that for a start. I also liked how he'd tell a lie and his nose would grow. I liked the morality of that.
What I really liked about Ceriz is that it is fun, glamorous, and very effortless.
I'm really drawn to the uncompromising realness of natural process: It's unadorned. It's not very pretty.
As far as the grunge thing, there are three bands from Seattle that I would call true grunge.
I'm pretty earthy; I nursed forever because I liked it and my kids liked it, but at the same time I'm very laissez-faire about stuff like bedtimes and food.
One thing about my mother is that she has her taste: She knows what she likes and what looks good. It's not studied. There is no insecurity in what she is going to wear, and I think that translates into effortlessness. Her career has been a steady rise, and it hasn't been about the fashion of the moment. It's been because she has kept to her style. She didn't go grunge when it was grunge, or 70's when it was 70's. It's about being secure with what you like and not worrying about what's in fashion that particular day. That's what I admire about her.
I'm a big believer in playing truth and not doing things for effect. It's not about whether you look pretty or glamorous. It's about whether people connect.
I agree with you about the music of today. It lacks style and emotion. I can't relate to it either, as for grunge music, well that was the death kneel for a lot of the glam metal hair bands of the 80's, so I really do not care for grunge. I miss the 80's as well, it was a truly great decade for music.
Exactly you had to dress in flannel, and if you were a grunge band, before the grunge thing took off and you said you were METAL.
Red carpet is a little bit scary. It's not about expression. It's about taking a pretty picture in a really weird, awkward way, with so many people watching. It's a glamorous part of the job, but it requires its own kind of courage.
It's like, what happened, I was always leading fashion, and then the grunge thing kind of came along. And because I've been so on top in the '80s you know, I, you know, what can I do? Suddenly go grunge?
My life is not that glamorous. I actually live a pretty simple life, really. I just work. I don't have time to do all these glamorous things. I just do my thing, just work.
Even from the beginning, that was the problem. People liked pretty things. People even liked pretty things that wanted to kill and eat them.
I find it really frustrating when people go, "I want to be famous and glamorous like you." It's hard for me not to have a bad thought when someone says that to me, since if there's anything this business is not, is glamorous. It's only glamorous for maybe five minutes every now and then.
Somerset has a wonderful wildness about it - it hasn't been tamed. This is farming country, and there's a realness here - I love it.
I'm a big believer in playing truth and not doing things for effect. It's not about whether you look pretty or glamorous. It's about whether people connect. That's important to me in any work I do. For me, the key is always trying to find the connection between the audience and the character I'm playing.