A Quote by Siri Hustvedt
My feeling is, when you are writing an essay, you don't make anything up. This may be a very Protestant notion, and I'm aware of the fact that memory is fallible, that if I had access to films or some absolute documentary evidence of what happened, it might look different; we get confused and fuzzy.
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The essay I had to read was called, "An Essay on Criticism" by Alexander Pope. The first challenge was that the essay was, in fact, a very long poem in "heroic couplets". If something is called an essay, it should be an essay.
In memory, you can access something from the past, anything that you've experienced that you remember - it's there. Now, you might have a memento of it in a photograph or in a film or a building or some clothes that you wore. There might be something that connects you to this memory. But all of us are just all caught in this time, whatever that is.
Even though kids may have planned for months for the trip to Disneyland, some may be feeling very homesick, very forlorn, or very marginalized by the group. Your capacity to perceive those kinds of situations and respond to them in a pastoral way is the stuff you are teaching. And even though the kids may appear to be ignoring you, they are very aware of what you are doing and how you are doing it. They are also very aware of what you are missing and not picking up on.
You can't be different if you look at it. Being gifted is different. I had that in my piano playing. I'm very thankful for that. I'm very aware of that. The style and what I fed is just me. I never worked at it. It just happened.
What I think is important about essayists, about the essay as opposed to a lot of personal writing is that the material has to be presented in a processed way. I'm just not interested in writing, "Hey, this is what happened to me today." You get to a place that has very little to do with your personal experience and talks about some larger idea or something in the culture. I don't think you can get to that unless you have had a lot of time to gestate and maybe if I was taking a lot of notes while stuff was going on, I wouldn't be able to get to that place as easily.
People assume that science is a very cold sort of profession, whereas writing novels is a warm and fuzzy intuitive thing. But in fact, they are not at all different.
The notion that somehow or another they'll (Iran) put it in a picnic basket and hand it to some terrorist group is merely an argument that may be convincing to some people who don't know anything about nuclear weapons. I don't find that argument very credible, I'm not sure that people who make it even believe in it. But it's a good argument to make if you have no other argument to make. The fact of the matter is, Iran has been around for 3000 years, and that is not a symptom of a suicidal instinct.
Henry David Thoreau is very independent-minded, very iconoclastic, and had quite a corrosive sense of humor. I think that I probably have grown up to have a Thoreauvian perspective on many things. Though in other ways I live a life he would not have approved of. He believed to simplify, simplify, simplify. Make your life very clear and plain and meditative and not confused. Sometimes my life, in fact, is confused.
My senior thesis was a documentary. By the time I graduated from college, I thought I was going to make films, and my interest in acting was there but kind of confused.
The key fact missed most often by social scientists utilizing documentary films for data, is this: documentary films are not found or reported things; they're made things.
The evidence for evolution is so compelling that the only way to save the creation theory is to assume that God deliberately planted enormous quantities of evidence to make it look as if evolution had happened.
Of course, there's always one theater that shows some kind of European film. Now, fortunately, you have DVDs, so it's possible to get anything you want within a few hours. In those days, it was virtually impossible to get Italian films, or German films, or whatever. So I grew up with very standard, mainstream films.
We have to be there to get the evidence like what happened in Aleppo when we had evidence. And because the United States didn't send the team, we sent the evidence to the Russians.
I am good in the fact that most of my reviews have been very positive really. I get pretty good reviews. There have been some that aren't - critical. I think they are extremely - the people that wrote them really don't understand what they are looking at quite frankly or have a very preconceived notion of what conceptual art should be or where I am at or the fact that I may change what I have done from what I did 20 years ago. But there is always some reason that they just sort of get it wrong. And so it certainly doesn't affect my work.
Most biologists, (says Vogel, 1981) seem to have heard of the boundary layer, but they have a fuzzy notion that it is a discrete region, rather than the discrete notion that it is a fuzzy region.
One of the problems that comes up time and time again seems to be this notion of being 'pure' Irish. If you are Protestant, born in the Northern part of the island and deeply into the Protestant tradition, that somehow does not make you a legitimate Irish person. Yet there is a huge British influence in parts of the South.
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