A Quote by Sissy Spacek
It's really about the work - if you are doing it for the right reasons - really to illuminate the human condition.
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If I laugh a couple of times a day, I'm doing good. People think it's their God-given right to be happy, and it's just not. It's something you've got to work at. I like to paint the human condition, and the human condition is not smiles and happy people.
What art should be about,' they will say, 'is revealing exquisite and resonant truths about the human condition.' Well, to be honest - no, it shouldn’t. I mean, it can occasionally, if it wants to; but really, how many penetrating insights to human nature do you need in one lifetime? Two? Three? Once you’ve realised that no one else has a clue what they’re doing, either, and that love can be totally pointless, any further insights into human nature just start getting depressing really.
The human condition is the human condition, and what we try to do is illuminate the human condition.
There are people that really live by doing the right thing, but I don't know what that is, I'm really curious about that. I'm really curious about what people think they're doing when they're doing something evil, casually. I think it's really interesting, that we benefit from suffering so much, and we excuse ourselves from it.
Just draw 'cause you love it, you know, I think that's why you should be doing it. You should always be doing art for the right reasons, um, and with the best intentions. Anything at all is completely possible and I think that's what I like about drawing. I think it's just really fun. You can do anything you want. And that's part of, like, what's really enjoyable about it... is kind of losing yourself in it.
Among the reasons that you go into journalism, I suppose, are some rather idealistic, even foolish reasons. In my case one of the reasons was I wanted to explain how things really work, how political power really works.
Any great art is meant to illuminate the human condition.
That is one of the reasons one enjoys acting. Now and again, you get scenes where you work with somebody really good and you have a good time trying to make it really work and really work well.
What I want any genre to do, what I want any work of art to do, is to illuminate the human condition.
What we shouldn't be doing is trying to take away your rights to bargain for better wages or working conditions... These so-called "right to work" laws, they don't have to do with economics; they have everything to do with politics. What they're really talking about is giving you the right to work for less money.
Marriage is a really scary thing. I'm excited about it. I know it's not a mistake, it's the absolute right thing to do. I'm really happy about it. I really, really love my fiancee. We're good friends and I think it's going to work. But that's just the point - it's going to take work. It does make me feel vulnerable to be like, wow, I'm committed to this person for the rest of my life.
The reasons you have for doing a movie will vary with the way your life is going. There was a time when a made a some movies because I felt I needed to work. And I didn't think about the material as much. But sometimes I've thought about the material a lot and thought I was doing the right thing, and it didn't work out.
My seeking has been to explain and illuminate the Negro condition in America and obliquely that of all human kind.
Ethan Hawke is not a horror movie fan, but he's a really good friend of mine, and I finally cajoled him into doing 'Sinister.' Later, he said one of the reasons he was really resistant to doing a horror movie is he thought it'd be really scary on set.
The function of the novel is the exploration of the human condition. Really, that's what it's all about.
We're talking a lot about reason and religion today, but I really hope that the American experiment can continue, because liberty really is a condition of the human heart and I have a great love and hope for the future of people.
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