A Quote by Sissy Spacek
When I first met David Lynch, he was living in the stables of the American Film Institute... He'd work all night and have his crew lock him in during the day, and he'd sleep.
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The first time I lay actual eyes on the real David Lynch on the set of his movie, he's peeing on a tree...Mr. David Lynch, a prodigious coffee drinker, apparently pees hard and often.
We don't have to look back at da Vinci's work and Albert Einstein's work and Mozart's work. We're actually living in the time period that David Lynch is creating his art. We're so lucky.
It's amazing how quickly human beings adapt, isn't it? It was such a great crew, and David [Lynch] was wonderful to work with [on 'The Elephant Man']. It was a very thrilling time, actually.
David Lynch plucked me from obscurity. He cast me as the lead in 'Dune' and 'Blue Velvet,' and people have seen me as this boy-next-door-cooking-up-something-weird-in-the-basement ever since. I was 23 when I first met him, in his bungalow on the Universal lot, and could never have predicted we would have such an enduring relationship.
My favourite film-maker west of the English Channel is not English - but to me doesn't seem American either - David Lynch - a curious American-European film-maker. He has - against odds - achieved what we want to achieve here. He takes great risks with a strong personal voice and adequate funds and space to exercise it. I thought Blue Velvet was a masterpiece.
When I first met him [David Beckham] I didn't know whether to shake his hand or lick his face.
David Lynch is my friend, and I love his movies and his art and his music. Few things make me happier than working with him.
David Lynch is very important to me, and he does dreamlike movies, but my dreams are not like David Lynch's dreams. I have no interest in copying anybody's work. It would never occur to me to want this to look like someone else's thing.
I'm not one who can get by on six hours sleep night after night. You can see it on my face and hear it in my voice. When working 14-hour days, I have to go home, go to sleep, and wake up in time for crew call. I hate naps. They throw me off the rest of the day.
I was very scared when I saw it, because Dune was for me very important in my life. I was very sad I could not do it. When I saw that David Lynch would do it, I was very scared, because I admire him as a movie-maker, and I thought he would do well. But when I see the picture, I realize he never understood this picture. It's not a David Lynch picture. It's the producer who made that picture, no? Who made this horror. For David Lynch, it was a job. A commercial job. It never was that for me.
I don't mean to brag, but David Lynch said he was looking for the most incredible face he could find. I actually met him at a 'Twin Peaks' party, and he was like, 'Look at that face!'
We love David Lynch. We're big David Lynch fans.
Don Quixote followed nature, and being satisfied with his first sleep, did not solicit more. As for Sancho, he never wanted a second, for the first lasted him from night to morning, indicating a sound body and a mind free from care; but his master, being unable to sleep himself awakened him, saying, "I am amazed, Sancho, at the torpor of thy soul; it seems as if thou wert made of marble or brass, insensible of emotion or sentiment!
I call my ring Procter and Gamble, because David paid for it through his first commercial from Head & Shoulders. When I met David, he was waiting tables. He was below broke, in deep debt, but I followed my heart. When you're looking for a mate, don't look at his current status, but his present potential that will become a part of his future.
Fellini was [David] Lynch's master and his biggest idol, and he believed in Fellini's view that film is a dream, it's not reality. It's all about delving into the unconscious.
I saw Elvis live in '54. It was at the Big D Jamboree in Dallas and the first thing, he came out and spit on the stage...it affected me exactly the same way as when I first saw that David Lynch film. There was just no reference point in the culture to compare it to.
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