A Quote by Sixto Rodriguez

I have a sloppy style of playing guitar. A percussive style. Unique in fact. — © Sixto Rodriguez
I have a sloppy style of playing guitar. A percussive style. Unique in fact.
One very important side of my playing lies in rhythm; I have a very percussive style. It's one I've developed with Dream Theater over the years, and requires the guitar to be very locked into the rhythm of the drums... way more than what would normally entail.
I have been robbed of three million dollars all told. Everyone today is playing my stuff and I don't even get credit. Kansas City style, Chicago style, New Orleans style hell, they're all Jelly Roll style.
I approach playing acoustic guitar more of as a percussive instrument. It's fragile. I don't have a lot of finesse when it comes to my guitar playing.
I'm a guitar player. I've carved out my own style of guitar music, so I don't look for inspiration with playing guitar.
I love The Edge's guitar style; it is unique. There is an ancient world resonating in his guitar sound.
I didn't start to collect records and listen to guitar players properly until I went to art school, when I'd already been playing for five years. So my style was already formed, and that's why I think it's so unique.
When I first started playing, I plunked away just like everyone else. During the Sixties I played in a blues band for a few years, and I liked it. It wasn't until I was playing for a while that I made the decision to change my style from a percussive to more of a legato approach. I just wanted a different sound.
As a songwriter, you tend to develop your own style, your own technique, based around what it is you're trying to write and perform, in terms of your own music. So a way of evolving a guitar style as a songwriter is much easier, I think, than developing a true style of your own just from listening to music or playing other people's music.
The drums were new to me; I was just playing what was in my head. I was a guitar player originally - so on the drums, I just played what was in my head rather than caring too much about what others were playing. And in that way, I came up with a simple but unique style.
In the '90s, I think I rediscovered my guitar. The Jam was obviously very guitar-based, but in the Style Council I just got really disillusioned with playing the guitar. The further it went on, the less and less I played, to a point where I couldn't pick it up any more.
Everyone has their own style. It's unique; no one person's style is wrong.
My foundation is acoustic guitar, and it is finger-picking and all of that and sort of an orchestral style of playing. Lead guitar came later, more out of the necessity to do so because of expectations in a particular situation.
My entire style of playing was built around somebody else playing guitar with me, a story that, on its own, sounds unfinished.
A style does not go out of style as long as it adapts itself to its period. When there is an incompatibility between the style and a certain state of mind, it is never the style that triumphs.
One thing I've noticed over the years is that young players - I mean 10- and 12-year-olds - really like my guitar style. There's something in my guitar style that they totally can latch onto and learn quickly, and then go from there to your Yngwie Malmsteens or your Steve Vais or whatever.
Guardiola has come to City with a very unique style. And he wants to continue that philosophy. We had to work to adapt to his style.
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