A Quote by Sixto Rodriguez

In the '60s and '70s, a protest song was a genre in music. — © Sixto Rodriguez
In the '60s and '70s, a protest song was a genre in music.
I came up at a time in the late '60s, early '70s where music was without boundaries. You'd go into a music store, and the music was in alphabetical order. I hadn't heard of that word 'genre.'
We thought that using rap would draw a parallel with the protest music from the 60s and 70s that we found through the research for animadoc. When we thought about rap, Emicida immediately came to mind and we decided to call him to create this song bring the audience back to earth and put their feet on the ground. Emicida's song is the only one that has lyrics in actual understandable Portuguese.
When I go to small races in Denmark, it's what I imagined what F1 would have been like back in the 60s and 70s. After the 70s it became a bit different. But 50s and 60s at least, people were only there because they love it.
I am an old-school guitar player. I'm not an '80s-'90s sort of shredder who plays a million notes a minute. I am way more '60s-'70s kind of style, and I write very '60s-'70s.
Music was such an important part of everyone's life in the '60s and '70s, but everywhere you played, the music was dreadful.
I love music and songwriters from the '60s and '70s.
I love music, and a lot of it. Jazz is probably on the top with guys like Miles Davis. But I even enjoy music from the '60s and '70s.
Through protest - especially in the 1950s and '60s - we, as a people, touched greatness. Protest, not immigration, was our way into the American Dream. Freedom in this country had always been relative to race, and it was black protest that made freedom an absolute.
For me, I'll always stand up for the disenfranchised, and I'm going to make a big point of that. I'm not a protest singer as such, you know? After the endurance course of the early 70s and 60s, I don't want to become one of them twats. But you got to learn to speak the truth.
I listen to oldies but goodies stations, '60s and '70s music.
I have a weak spot for late '60s-early '70s yippie paperbacks and protest manifestos. I find them at flea markets or online. One of my favorites is 'Right On,' a compendium of student protests made into this 95-cent paperback with the most amazing graphics.
I was a child in the '60s and a teenager in the '70s, which was the golden age of film as far as I'm concerned, between American film and the Italian reinvention of genre film.
When we bemoan the lost golden age of music, it's worth remembering that mainstream radio listeners of the '60s and '70s, particularly in Canada, missed out on an outpouring of brilliant R&B music.
I have the most eclectic music taste out there. I can be listening to an indie pop song just as easily as I could be listening to a Carly Simon song from the '70s to a country song.
The protest songs of the 1960s and 70s managed to blend political and societal views with music from the heart.
When I was younger, I was listening to a lot of Armenian music, you know, revolutionary music about freedom and protest. In the 70s I was listening to soul and the Bee Gees and ABBA, and funk.
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