A Quote by Sixto Rodriguez

I don't much listen to music as I study it: who's doing what, who wrote it. — © Sixto Rodriguez
I don't much listen to music as I study it: who's doing what, who wrote it.
I listen to music all day every day. I can't not listen to music. It's kind of scary how much I listen to music, but it's what I love, and it's all I care about, so I'm good with it.
All I do is listen to music. It's a weird thing. It's like I have so much catching up to do. I've always been over my head. That's just the way I work best, you know. Like when you're studying for school you think, "I can only study when I have to study the night before." That kind of means you're lazy or you're a procrastinator, but for me with music it's a similar thing. It's like I've been over my head for most of my career so to speak.
I'll take two months off just to listen to records and not do any music so I can absorb all that and then when I go do my music. It's all in me. I'll listen to a different genre every two days or something, study it, 24 hours straight.
I don't listen to Bollywood music much. But yes, I listen to Indian music quite often, and other non- film music.
I don't listen to Bollywood music much. But yes I listen to Indian music quite often and other non- film music.
I don't listen to a ton of music other than putting my show together, just because my lifestyle isn't too conducive to listening to music all the time. I like to watch basketball, and I would rather not listen to music while I'm doing that.
I listen to music every day for study reasons, and I confess that I have very little knowledge of what is going on in the hit parades around the world. I have no prejudices for any kind of music genre, and I listen with pleasure to many songs on the radio that my children already know of by heart, while I hear them practically for the first time.
I just listen to so much music that I like the role music can play in scoring something. I'm not doing song parodies or funny songs, I'm just adding some music to my words. So it's limited and specific, but as a performer I find it pretty enjoyable.
My taste changes radically all the time, and I listen to whatever feels good. Another thing is that I'm in the studio so much of the time, and I listen to so much loud, aggressive music for work, that for pleasure, I'll listen to something else.
I wrote The Same Sea not as a political allegory about Israelis and Palestinians. I wrote it about something much more gutsy and immediate. I wrote it as a piece of chamber music.
I listen to so much, I listen to a lot of reggae. Obviously I listen to hip-hop, that's what I make. I listen to soul. I love jazz. I love all types of music.
I listen to a lot of alternative types of music: I listen to a lot of Chinese music, I listen to a lot of Asian music. It might surprise you, but I listen to a lot of Arabic music. And I don't care - music is music.
I thought that I wrote songs and wrote music, and that was sort of what I thought I was best at doing. And because nobody else was ever doing my songs, I felt - you know, I had to go out and do them.
If I'm going to be the best in what I do, I have to study what I'm doing, I have to see what I'm doing. I have to see it, I have to hear it. I'm just starting to appreciate myself - not starting, but appreciating myself in a way where I can look at myself back in a movie or listen to myself as much as I do now.
When you are studying jazz, the best thing to do is listen to records or listen to live music. It isn't as though you go to a teacher. You just listen as much as you can and absorb everything.
I don't listen to music. I very rarely listen to music. I only listen for information. I listen when a friend sends me a song or a new record.
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