A Quote by Sixto Rodriguez

There are no guarantees in the music field. There's a lot of rejection, a lot of criticism and a lot of disappointment. You have to be prepared for that. And after 1973, it just wasn't happening for me.
I listened to a lot of reggae music, a lot of Caribbean, a lot of gospel, a lot of rock, a lot of country, hip-hop... you know, so it just gave me perspective when it came to music and what I liked.
In the music business, there's a lot of criticism and rejection. If you embrace it, you'll be better off when the adjustment comes.
A lot of Utah State when I was there, there was a lot of California guys. So, you get a lot of Cali music, you got a lot of dance music, I think the Jerk was popular back then. It was a lot of the music that you can dance to with your teammates. A lot of hip-hop, rap, R&B, it was really fun. It was live in there.
L.A. is a big city that has a lot of music in it but is not necessarily known for it. A lot of musicians got lost in that. You can make a living; you can gig a lot within the city and never get out of it. That was something that me and my friends, our generation, were afraid of happening to us.
I grew up listening to a lot of emo music, a lot of rock music, a lot of rap music, a lot of trap music, funk, everything.
I'd been to a lot of shows and I was just tired of people being jaded about music in general. Just a lot of pretensions, a lot of the attitude that goes along with it was a little difficult for me to deal with.
I would say a lot of it came from a lot of different drills that Coach Fleck put me through. That's my man. He taught me a lot, a lot, a lot about receiver play. And he taught me a lot about catching the ball and just hand placement.
The downfall of the industry is that there is a lot of pressure in it, a lot of rejection in it and a lot of competition in it. It's a whole mess.
There is a lot of pressure on organizations and on players to win it all. If you don't, there is a lot of disappointment and a lot of fallout because of it.
I'm sure a lot of people go into this industry quite blind as to what it will be like. There's a lot of rejection, but I knew that. My parents have been super-supportive, they told me from the start, 'Just keep going.'
I've been through a lot off the field. I think that kind of translates onto the field. Football serves for a lot of life lessons, and so it allows me to stay humble and continue to work.
You know a lot of what worked on this was taken from Harry Potter 2, the little Doby character, we had a lot of our skin stuff worked out and that helped a lot. We have a lot of exchange happening.
I did a lot of music criticism. I don't think much of it was any good. I think I wanted to show off a lot when I was younger. Now I just want people to enjoy the story. If it were possible to publish anonymously, that would be awesome.
All my life, I never gave up on music and though there was a lot of disappointment for some that the commercial thing never happened, it has never been a disappointment for me.
I read a lot - surveys of vernacular music. A lot of it is the Harry Smith Anthology of American Folk Music, which I've loved since I was in high school. They had it at the library and I always thought that was interesting, even when I was into punk and stuff. Just the history of storytelling and the amount of melancholy a lot of old music has.
My dad has always just had a lot of faith in me as an artist and as a person, and he doesn't really dispense with a lot of advice when it comes to the music. He's taught me a lot over the years, but when I was taking on this project he's really hands-off about that. He just appreciates what I've done and is very supportive, and of course really proud.
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