A Quote by Sixto Rodriguez

I've only written 30 songs or something. Dylan's written over 500 songs. There's no comparison. He's the Shakespeare of rock 'n' roll and popular music. — © Sixto Rodriguez
I've only written 30 songs or something. Dylan's written over 500 songs. There's no comparison. He's the Shakespeare of rock 'n' roll and popular music.
I've always covered some Dylan songs. I do one or two. And I do them because they're great songs. You know some people cover songs they wish they could have written, not me. I like to cover songs I know I could not have ever written.
I started out in the folk music world only because of the way my songs were written and performed, with just an acoustic guitar, but I always related to the rock n' roll lifestyle.
I've never written songs about relationships. I've written songs about how I feel. The songs are more about me, than another person. That's the way I like to look at it.
I have so many songs, it's ridiculous. I love so many different types of music and tend to write all over the map, style-wise. R&B, rock 'n' roll, screamers, pop, good-time songs.
I have four shelves covered with journals that I've written. Dad and I are writing songs together. I've probably written 100 songs.
It's funny; Luther and I have written many songs together, but we've never written songs in the same room.
I have written quite a lot of songs about dealing with my feelings surrounding the disease. I have written songs about the fear and anxiety I have around my disease, and the fear of it coming back. Some of my songs might seem like relationship songs, but are more about my relationship with that struggle.
The songs that I like are the ones that you can't visualize, that are just cries from the heart - those very straight, direct songs that make rock & roll music so wonderful.
I don't think I'm turning back the clock by doing these old tunes. I love rock and roll and popular music. It's just that the spirits of the singers whose songs I do are living within me. That's why the songs come out in the voices of the original singers. I'm not doing imitations. That's the way they sound inside me.
Only sing - don't do cheap songs, don't do silly songs, just do, just do wonderful songs that are well-written.
I've written many love songs for Gerard. But it's never enough. I feel that he deserves a million love songs written for him.
Lolita' was written at a time when we were heavily listening to more dance, electronic, and trance, and then on the flip side we were writing country-pop songs like 'Born Bob Dylan' or our acoustic songs, or trip-hop.
I don't feel that all the great songs have been written. I do feel that where we are now, certainly with rock & roll music, is that so much of it is variations on themes. But I think that it's one's particular creativity and individuality that comes out within that variation on a particular theme that makes a song great.
I haven't written enough songs to be able to say that I have a system. I've only written a handful.
Love songs come in many guises and are seemingly written for many reasons – as declarations or to wound – I have written songs for all of these reasons – but ultimately the love songs exist to fill, with language, the silence between ourselves and God, to decrease the distance between the temporal and the divine.
I was immersed in popular songs of the time, of the '30s and '40s. I was writing songs, making fun of the attitudes of those songs, in the musical style of the songs themselves; love songs, folk songs, marches, football.
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