A Quote by Sjon

One thing for sure is it will be written in the Icelandic language. All of my literary work is. — © Sjon
One thing for sure is it will be written in the Icelandic language. All of my literary work is.
I'm not sure that the culture of literary prizes is always a good thing, but while there are literary prizes, it's nice to be nominated.
Every few seconds a new book sees the light of day. Most of them will just be a part of the hum that makes us hard of hearing. Even the book is becoming an instrument of forgetting. A truly literary work comes into being as its creator's cry of protest against the forgetting that looms over him, over his predecessors and his contemporaries alike, and over his time, and the language he speaks. A literary work is something that defies death.
I'm the first Icelandic director who started working on U.S. movies. There are others behind me now, but it's like when Bjork opened the door for Icelandic musicians to work abroad. We're such a closed-off country, but Bjork broke the spell. And I'm glad it was a woman who did it. She showed us we could break this barrier.
I don't think that any Icelandic filmmaker feels like he belongs to Icelandic filmmaking, because nobody really knows what it is.
The earliest language was body language and, since this language is the language of questions, if we limit the questions, and if we only pay attention to or place values on spoken or written language, then we are ruling out a large area of human language.
Iceland's Women's Day Off in 1975 saw 90% of Icelandic women take time off from their paid and unpaid work, an experience that not only showed women how much they contribute but turned Icelandic men into supporters of gender equality. I aim to achieve the same impact in the UK.
Only idiots or snobs ever really thought less of 'genre books' of course. There are stupid books and there are smart books. There are well-written books and badly written books. There are fun books and boring books. All of these distinctions are vastly more important than the distinction between the literary and the non-literary.
Unnur Birna is a Reykjavik-based violinist and singer. She has performed as a session musician with countless Icelandic and international artists while recording and appearing as a solo artist as well. Unnur has joined me as an unpaid guest on a few Icelandic shows in recent years, so it is a great pleasure to return the favour and appear on one of her songs at last. This new track, Sunshine, came about in Italy, written as an ode to sunlight and happiness after fleeing the dark winter in Iceland
In my eyes Marlantes has become the pre-eminent literary voice on war of our generation. He is a natural storyteller and a deeply profound thinker who not only illuminates war for civilians, but also offers a kind of spiritual guidance to vets themselves. As this generation of warriors comes home, they will be enormously helped by what Marlantes has written. I’m sure he will literally save lives.
No one has written the way Isaiah does. The royal style, the majesty of the language. He is called the prince of the prophets. No one has written like that. I've studied ancient literature, Homer, for example, but it's not the same thing.
But everything written has style. The list of ingredients on the side of a cornflakes box has style. And everything literary has literary style. And style is integral to a work. How something is told correlates with - more - makes what's being told. A story is its style.
What we are saying is, we've got three aluminum factories, let's work with that, we cannot change that. Why not have the Icelandic people who are educated in high-tech and work already in those factories in the higher paid jobs, why not let them build little companies who are totally Icelandic with the knowledge they have? Then they get the money and it stays in the country. Then we can support the biotech companies and the food companies and all these clusters. I think that if you want to be an environmentalist in Iceland, these are the things you've got to be putting your energy into.
Poetry cannot be translated; and, therefore, it is the poets that preserve the languages; for we would not be at the trouble to learn a language if we could have all that is written in it just as well in a translation. But as the beauties of poetry cannot be preserved in any language except that in which it was originally written, we learn the language.
That literary-popular distinction is, in my view, vastly overstated. At the far poles there are clearly books that are purely commercial and purely literary, written for audiences that want to see the same thing enacted over and over and over again. But the middle is where most people read and most people write.
Civilization could not exist until there was written language, because without written language no generation could bequeath to succeeding generations anything but its simpler findings.
I mean, I knew of Jane Austen's work, and I guess I'm a fan at a distance insofar as from a literary point of view, it's beautifully written.
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