A Quote by Skai Jackson

I feel like when you're dancing, especially how we're doing it on live television, you need to give that energy to the camera which is mainly with your face. — © Skai Jackson
I feel like when you're dancing, especially how we're doing it on live television, you need to give that energy to the camera which is mainly with your face.
Live television drama was like live theater, because you moved without thinking about the camera. It followed you around. In film you have to be more aware of what the camera is doing.
Yeah, I'm doing some stuff behind the camera. Producing and directing. I feel like my face has been on TV enough in my lifetime that people don't need to see me like that anymore.
I started in theatre, moved into film and television, and started doing voice work, which is funny because after a long time in film and television, you forget how much you rely on just a simple look on your face.
When I look at my career, the bulk of it has been television, and I love working in television. But there's a speed at which you do it. You're doing seven to ten pages a day on a series, and it's hard to feel like you're doing the detail-oriented work that I like to do.
Face dance means you don't know what the hell the rest of your body was doing but your face is fierce. That's face dancing.
Film, television, and working with a camera is such an intimate art form that if a camera is right on you, and I've got your face filling the screen, you have to be real. If you do anything that is fake, you're not going to get away with it, because the camera is right there, and the story is being told in a very real way.
You take your audience through such a story where they have to invest their energy and emotion, and to slap them in the face with, "Well, this is how life is. Bye," wouldn't have been as great as the ending that we have, which is optimistic and hopeful. It's not happy 100%, but it does make you feel like, "This kid may just be okay."
You put this face on television, week in, week out, they'd stop me and they'd say, 'Hey, Roy, how are you doing?' They'd know who I was, what I was, what I looked like, and what I did - all from seeing and hearing it at the same time on television.
I don't need a coach to tell me what to say. I need a coach to figure out what kind of shirt to wear and how to look at the camera and how to avoid, you know, picking your nose on camera.
The process of doing films is not my favorite, but I love television. Television is a quicker turnaround. You shoot more during the day, which makes me feel more productive. It would be like, 'I did five scenes today and ten pages.' That's television.
I've always liked adventure television. Pre-'Survivor,' I did a series on cable called 'Eco-Challenge,' an adventure race with experts mainly, and here we have 'Expedition Impossible.' I like the outdoors and I like doing something fresh for television you haven't seen before.
The actors feel very free. The actor, he doesn't need to think about where the camera is, he just has to focus on what he's doing and forget the camera. The camera is never in the perfect position, and I think this is what keeps this feeling of reality. The frame is not perfect.
When you decide to go after a new dream, you need to give less to your current reality and more to your desired reality... Take your energy out of what you don’t want to be doing anymore so you can put it in what you really want to be doing.
Aging on camera is just very hard. I love my age. I feel good about myself but high definition television is not kind. You don't even look like yourself in high-def. It just makes every little line on your face more exaggerated so it ends up aging you. It's like you're watching yourself seven years older.
‘Cause sometimes you just feel tired, feel weak And when you feel weak, you feel like you wanna just give up But you gotta search within you And gotta find that inner strength And just pull that shit out of you And get that motivation to not give up And not be a quitter, no matter how bad you wanna just fall flat on your face, and collapse.
Even if I'm exhausted, I always try to go into a show with a smile on my face. It's always good to try and bring the energy up. If I'm in a bad mood, people are going to act bad. The energy you give off is the energy you receive. I really think that, so I'm always myself - jumping, dancing, singing around, trying to cheer everybody up.
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