A Quote by Skeet Ulrich

What's the classical moment that every actor or actress deals with? A tragic thing. They get that blank, faraway look in their eyes. But in life, it's not that way. — © Skeet Ulrich
What's the classical moment that every actor or actress deals with? A tragic thing. They get that blank, faraway look in their eyes. But in life, it's not that way.
Most of your life as an actor in Hollywood, either an actress or an actor, you have to look - you have to work out, you have to look - you rarely get to play someone who's just human, who's real, who is overweight, even not grossly overweight, but who has aspects of just everyday life.
What's with the whole 'child actor' and 'teen actor' thing? You're either an actor or actress, or you're not. I don't get it! I want to be taken seriously as an actor.
For every story you hear that's tragic, there's another that's equally tragic or more so. I think you come to look at it as part of life.
I look at the human life like an experiment. Every new moment, every new experience, tragic or otherwise, is an opportunity to gain a more accurate perspective and helps lead me to clarity.
I prayed all the way up that hill yesterday, he said softly. Not for you to stay; I didna think that would be right. I prayed I'd be strong enough to send ye away. He shook his head, still gazing up the hill, a faraway look in his eyes. I said 'Lord, if I've never had courage in my life before, let me have it now. Let me be brave enough not to fall on my knees and beg her to stay.' He pulled his eyes away from the cottage and smiled briefly at me. Hardest thing I ever did, Sassenach.
Sometimes when you're doing fantasy, that's the most important thing, is to be a blank space, because the last thing you want to do ever as an actor is judge yourself or the character or the movie that you're in. You want to just play the moment as best you can. Juilliard helped me do that.
Every moment has infinite potential. Every new moment contains for you possibilities that you can't possibly imagine. Every day is a blank page that you could fill with the most beautiful drawings.
How you look is part of what acting is, but the way I look at it, every actor is a character actor. Someone once told me at a casting, 'You're a character actor in a leading man's body,' and I can live with that.
What Donald Trump has been concerned about, what he`s talked about, is when we get deals that don`t level the playing field, when we get deals that aren`t the kinds of best deals we can get, we want good deals, and those are free trade deals to lower the barriers between trade between two countries.
When I write, I picture the characters a certain way in my head, and they're not like any actor or actress. It's almost hard for me to let go of my ideas as to the way they look.
I'd say my happiest moment as an actress came when I learned I'd won the Look Magazine Best Supporting Actress Award for 1956 in The Killing.
You can say something that can really help and actor and you can say something that can really get in the way of an actor's performance, kind of cut them off from their instincts and really get into their heads. And every actor's different. Every actor requires something different. Being an actor, for me, was the greatest training to be a writer and director.
As an actress - and as an actor, too, but it's worse for actresses - you constantly get picked apart for how you look.
Life always gives us exactly the teacher we need at every moment. This includes every mosquito, every misfortune, every red light, every traffic jam, every obnoxious supervisor (or employee), every illness, every loss, every moment of joy or depression, every addiction, every piece of garbage, every breath. Every moment is the guru.
I'm not used to being asked what I want to talk about. That's why I'm an actress. Get told what to do, stand on the mark, say your words, wear this, look this way, look that way.
The thing I get out of it is the connection. I remember going to shows as a kid and meeting eyes with the people in the band, and knowing they are meeting eyes with you, and that moment, that smile, and that's your moment. I want to create millions of little moments for other people.
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