A Quote by Skepta

I was about 18 when I started making music, making beats. My mindset was totally different. — © Skepta
I was about 18 when I started making music, making beats. My mindset was totally different.
I started playing instruments before I started making beats, and I was never the best guitarist or the best pianist or the best drummer. And when I started making beats, I was not the best beatmaker, and when I started making hooks, I was not the best vocal melody person. When I first started rapping, I wasn't the best rapper at all.
When I was a youngster, I might have been about 17 or 18 when I first started making beats.
It's the way I enjoy making art - I like sitting down and making five beats; I enjoy that process. I can go two weeks without making a song and just making beats and I'll be OK.
In school I was interested in music, but I never saw myself being a musician at that point. Music technology was the only subject I cared about: it taught me the basics of music production and I started making beats and freestyling with my friends.
When I was working on 'To Pimp A Butterfly' and 'DAMN.,' I'm really making music for Kendrick. It's a different mindset than when I'm making music for me. I'm trying to get into his head and figure out what he wants because it's his vision. That's what I expect from people when they're playing on my records.
When Migos flew me out to see if I was actually making the beats, they didn't expect a white kid from Canada to be making harder beats than the guys in Atlanta. Being white in that environment, it was definitely different.
I was making crappy beats since I was, like, 17 or 18, using Florida rappers, where I'm from. Then I started DJ'ing because I just wanted to have a new job.
One of the things I love about music and making beats is making something and watching someone's reaction, knowing you can do something to manipulate the way people move or act.
I started freestyling with friends about eight or nine years ago. I started writing also around the same time, but didn't meet blockhead until about '94. I started making beats not until about '96.
When I first started making music, I was pretty drawn to hip-hop beats wrapped together with super-good lyrics. The most important thing in that is wordplay, so that stayed with me when I started writing songs.
When I started making music, I just wanted to be the producer who sang the hooks. I wanted to be Pharrell, honestly, the one who made the beats and was in the music video with the girls.
I actually only started listening to house music around the time I started making it. I got hooked both to making music and to house music.
My friends started making music, and then I started making covers because I was like, 'I don't have anything to write, but I like music.' So I would just cover Frank Ocean songs.
I'm making music for people to have fun and party to. I'm also making real music as well. I'm making a lot of pop stuff. I'm definitely just making music for the consumer and the listeners. So shout out to all my fans.
I'm not into just one thing; I always felt like I had to have my hand in everything revolving around what I do, whether it's directing videos, making beats, making music, performing.
I made my entire first tape using Beats headphones - the studio headphones and halfway through the second one, because I finally started making a home studio. But I record and make all my beats with the Beats headphones.
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