A Quote by Skip Bayless
For 10 years while I was at ESPN, I lived at the Residence Inn in Southington, Connecticut, near Bristol. I did that because my wife had a great job in New York City, and we had a place in New York City, at 54th and 8th. On Friday, I would come back, and then on Sunday evening I would go back to the Residence Inn.
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I've lived in New York City all my life. I love New York City; I've never moved from New York City. Have I ever thought about moving out of New York? Yeah, sure. I need about $10 million to do it right, though.
I would stay two years in San Francisco, then move to New York in the summer of 1991, for the love of a man who lived there. When I arrived in New York, I had a job waiting for me, courtesy of a bookstore I'd worked at in San Francisco, A Different Light. They had a New York store as well, and arranged an employee transfer.
I've never had a treehouse because I live in New York City. It would be a little bit hard to fit a treehouse in a New York City apartment.
Greensboro's mad at me because I said I'd rather go to New York City for a week. Why would they be mad at me? Are they that parocial. I didn't say Greensboro wasn't a nice place. It's a very nice place. But if I had a choice for a week where I would go and ask somebody in North Carolina where they rather go for a week - Greensboro or New York City?
Chicago seems to follow New York, and coming from New York and being in real estate, I worry about things happening in Chicago that have happened in New York. I've seen a great city like New York go downhill. It has a wonderful financial downtown, but the rest of the city is not very nice.
I moved to New York City in '92 and had no money. I had a lot of free time, as actors do. I would go to the New York Public Library at Lincoln Center.
When I was in New York, the whole vibe was really just not matching with me. I was kind of super depressed in New York. It just had this vibe of 'Get out,' you know? I would try to get out, and we'd look back and just see the city and feel like, 'Oh, I have to go back to prison again.'
New York has made me so paranoid, too. Whenever I visit another city, I always act like I'm from there, so the cab driver doesn't rip me off. I'm always like, "Yeah, it's good to be back home. Back here where I grew up. Yeah. Here in Tokyo. ... Uh, driver, I need to go to my old stomping grounds. That would be the Holiday Inn. And the address appears to be the pound sign."
New York is an ugly city, a dirty city... But there is one thing about it. Once you have lived in New York and it has become your home, no place else is good enough.
I grew up in Connecticut, going in and out of New York City, and I worked in the city in the '90s. I was freelancing for the Associated Press, and I fell in love with New York.
Everything I learned and didn't do in New York I would put into place here in the London West Hollywood. It's fascinating, when you look at the critics' reviews, and we had a great one in the New York Observer and all that, and then the New York Times came and it was a devastation; two stars out of four. They said that I played safe because it wasn't fireworks. Then they judged the persona over the substance that was on the plate.
I'm from New York, and I started in New York, which I think is a huge advantage because I wasn't overwhelmed by the city. I understood the city. All of the distractions that could come with somebody that started comedy in New York didn't really happen for me.
New York has always been a city of change and a city about change, and it is a back-leading development. Nobody's going to want to come to New York if it looks like another strip mall.
I was willing to go just about anywhere in the U.S. for the best job - except New York City. Of course, I received a job offer from GM - in New York City.
I was born in Seoul, South Korea; then I moved to New York City at the age of seventeen. In New York, I studied art and photography. I thought I would be a painter; then I saw Walker Evans when I was in college, and that had a great impact on me. Being in the darkroom making B&W prints was such a magical experience.
I absolutely love the balance between New York and Miami because I go to New York and I get so inspired and it's really busy and it's like the real city and then I come to Miami and I'm just in a happy place.
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