A Quote by Skip Bayless

I'm LeBron's 'No. 1 Critic' and his 'Biggest Hater.' I feel a little like Shailene Woodley's character in 'Divergent.' The government is going to eliminate me because I don't fit in.
Shailene Woodley is reason enough to see 'The Fault in Our Stars.'
I'm such a fan of Shailene Woodley, so I'm super excited to see all her stuff. She's an awesome actress.
When I was auditioning for Divergent, I was kind of in the dumps. I wasn't really happy with acting, and I didn't know if I wanted to do it anymore. I went on a bunch of auditions and nothing worked out. Then they said, "Hey, you got a callback for this thing, Divergent." Because I was in such a weird place in my life, I didn't look up what it was about, didn't look up the director, didn't look up that Shai Woodley was a part of it. I read the script, obviously, but I closed myself off from anything else.
I think one of the biggest mistakes that America has made - and maybe the world because this is, sort of, the core of communism and socialism - is that you can have perfect solutions to social problems like poverty, like crime. You're not going to eliminate all crime. Maybe you'll never eliminate all poverty.
I'd already rehearsed it [ Don't Kill It script ] for the first time it was supposed to happen and the second time. That was a blessing in disguise because the character [Jebediah Woodley] grew a little bit in me.
In 2005, I had the great honor of playing Shailene Woodley's mother in 'Felicity: An American Girl Adventure.' I was immediately impressed by her work ethic, both on and off set.
I'm the biggest draw. I do the biggest numbers in this division, and it's not even close. There's a reason all these guys want to fight me. They don't want to fight Tyron Woodley. Because I'm the biggest fight and the biggest draw in the division.
Big ups to him, big ups to Future. I actually like Future's music. I like his music, you feel me. I'm not a hater or a critic on him, you know, I do me. God bless him, God bless me.
Kyle Busch is going to get his ass whipped shortly I hope. He better sit his ass in his motor home or I’m going to come find him and he’s going to have to hold my watch because I’m going to whip his ass. He’s the biggest whining little piece of [expletive] I’ve ever seen in my whole life.
I have always been a critic of government policy. I was in government for more than five years. Before that I was a critic. Within the government I was a critic, pushing for reform and always at odds with power brokers within the party.
At some point of time, Imman won't be in this world. But my biggest asset would be if my biggest hater had at least 100 songs that I composed in his playlist. That's how I know my work will continue to live.
Criticism on my works is like this: you've worked hard all of your life, you went to Oxford, and you've done this and that, and you're an art critic. Your job is to unravel the "secret" or whatever, and you come across an entity like me. It's going to piss you off. Because there's no great secret, what you see is what you get, and anyone can understand what I'm doing. So, it's almost like I make this critic-person redundant, just by my attitude, and they resent me for that.
The hated man is the result of his hater's pride rather than his hater's conscience.
A lot of times, I feel like people come up to me because they think I'm like my character in 'Easy A', or because they've seen me in interviews, but really what they're a fan of is a movie or a character.
A lot of times I feel like people come up to me because they think I'm like my character in Easy A, or because they've seen me in interviews, but really what they're a fan of is a movie or a character.
The moral duty of the free writer is to begin his work at home: to be a critic of his own community, his own country, his own government, his own culture. The more freedom the writer possesses, the greater the moral obligation to play the role of critic.
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