A Quote by Skitch Henderson
I recorded with Sinatra, but the recording business is a very strange strata right now.
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For some years now, I've been doing a program called "Sinatra Sings Sinatra." It's been going on virtually since the end of '98. Nineteen ninety-eight was the year Frank Sinatra died. ... Now having reached what would have been his 100th year - I decided back in 2013 when we started to put all of this together, I decided what we should do was the first "Sinatra Sings Sinatra" in which we go audio visual.
There are so little outtakes from the Joy Division era. We didn't have much money. You couldn't be very generous in recording, so we were very thrifty in how we recorded. Everything was very, very well looked after financially because we just couldn't afford it.
Radio is a really strange business now, too. There's a very narrow door and a very few people control what gets played.
Recorded engine sounds, however, are a deliberate deception. They're like going to a concert and listening to a recording. On the other hand, I wouldn't mind buying a BMW recording and installing it in my '96 Jeep Cherokee.
In New Zealand, we have a one-party disclosure system, where if one of you knows you're being recorded, it's completely fine. It doesn't matter if the other person doesn't know. Look, I'm not breaking new ground by recording people who don't want to be recorded.
Sinatra was bothered with issues of anti-Semitism and racism all his life. The song and film he made 'The House I Live In,' was a deep message against prejudice and he was very proud to have recorded the song.
There is a man up in Philadelphia, I've known him for 50 years now, his name is Sid Mark. He does a radio program featuring Frank Sinatra music exclusively - one show for decades, "Friday with Frank," "Saturday with Sinatra," "Sunday with Sinatra," for decades. This is something that is really quite important.
I write a song to be recorded. And to some extent to be performed, but definitely more to be recorded than performed, because the recording will last longer than a performance.
I should be, right now, a normal 17-year-old sitting in class in high school. Instead, I'm recording, and it's so exciting for me. I can't imagine anything I'd rather be doing right now.
When digital recording came in about '84, everything started to follow into digital. Now, you've got the best recording media in the world, but it's not very pleasing to the ear.
I don't subscribe to the view that only puja numbers recorded during the '60s-'90s are enjoyed by the present-day listeners. Definitely the songs of that period are very popular even now, but the songs recorded afterwards are equally lapped up by the audience.
I met the [Frank] Sinatra family for a [performance] I did for his hundredth birthday and one of the first things Sinatra's daughters said to me was, "I'm so glad you make your own beautiful arrangements now."
If you're recording the song on your four-track in your kitchen, when you finished writing the song, you're recording, and it's cool, and honor that. And maybe that's the version that should be released. And if you're recording the song again, it shouldn't be because there's a version you love that you're chasing. It should be because "You know what? I made a recording, but I don't love it emotionally." So, okay, then record again. And be in it and take advantage of the buzz and energy of "I'm getting to record right now!" It's such a beautiful and cool privilege.
His [Frank Sinatra] voice defined not only a certain period of time, but America and what America meant to the world. Sinatra grew up, as my grandparents did, when being Italian was very, very prejudice against, but they didn't let it bring them down or use it as an excuse.
Recently I have done some circles that are almost that large and I've come all the way around after walking for an hour and I have hit the other side exactly. I mean exactly the right spot which is very strange. Believe me it's very, very strange.
We have all the technology to record things in the streets. Now the historians cannot twist it or change it, because we have cellular phones or video cameras, and we are filming in the streets what's going on. We have the voices of everybody recorded. There's too much recording and I think that's wonderful.
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