A Quote by Skitch Henderson

I started off as a studio pianist in Hollywood. — © Skitch Henderson
I started off as a studio pianist in Hollywood.
I like Stevie Wonder as my favorite non-pianist pianist. I mean, I shouldn't call him a non-pianist, because he's really a great pianist, but he doesn't feature it that much - he uses his keyboards and his piano technique to support his great songs and so forth, but he can really blow.
When I hear the words jazz pianist, that just means I have the skills to do most things. Because to be a jazz pianist, even to be a bad jazz pianist, you have to be pretty good.
I always have days off before and after I go to the studio. That's really important for me that I know that I have days off after, 'cause then I can give my everything when I'm in the studio. I love being in the studio and being able to think, 'Okay, I'm not doing anything tomorrow.'
My mom's a concert pianist, so she started teaching me when I was around seven. When I was eight, I started writing my own songs, and kinda started putting piano and singing together. But I'm trained classically, which is a big influence on me, I think.
I originally started off as a healer before I came to Hollywood.
I started playing instruments before I started making beats, and I was never the best guitarist or the best pianist or the best drummer. And when I started making beats, I was not the best beatmaker, and when I started making hooks, I was not the best vocal melody person. When I first started rapping, I wasn't the best rapper at all.
All I had was a CD with beats. I wrote to every beat on that CD, and when I got off punishment, I put out my first mixtape. I passed it out all around school. I started going to the studio. I started doing shows.
It seems that a lot of people, who haven't known of me as a pianist, think I've just started off as a comedian. And so for them the piano was something extra. But, of course, playing the piano was something that came before all of what's happened now.
As a young pianist in Hollywood, I began orchestrating for others, and I just felt really comfortable doing that.
I think Hollywood is more of a state of mind then a place. There are certainly iconic locations in L.A. but as far as the glitz and glamour of old Hollywood and the studio system, that's all but faded away.
'Southern Accents,' I think that's one of my best, really. That would have been 1984, and I wrote that on the piano in the studio at home. I had a studio, and I just happened to be down there in the middle of the night. It was quite late, probably early morning, and I just started to play, and a song just started to appear.
My favorite is still the one that I started off with, which is a Les Paul Standard. I've played that at every gig I've ever had. And that's my starting point in the studio.
I formed my own studio, carried my own deficits, owned one-hundred percent of my negatives, and made a lot of mistakes, but we ended up being the third largest TV studio in Hollywood.
I ... started out to become a jazz pianist; in the meantime I started singing and I sang the way I felt and that's just the way it came out.
The Academy just reflects Hollywood. And until we break those barriers, until we have African-American or minority studio executives, 'til we have people who are greenlighting movies with African-American actors - the Academy is not going to change until Hollywood changes, so we have to start with Hollywood.
I actually started as a concert pianist. I had a scholarship to the Julliard School of Music.
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