A Quote by Skitch Henderson
We do a lot of light classical programming with that, too... obviously... a lot of Tchaikovsky music, Grieg, things like that which have become less classical with classical concerts.
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Right now I'm listening to a lot of different things but I listen to a lot of classical music. Eventually I would like to compose and perform classical.
Obviously there are pieces of classical music that are some of the most beautiful music ever written, for me anyway is a lot of classical or contemporary music, so it's a different kind of space that you enter when you're listening to it.
When I do things, like, with Josh Grobin, or he has so many fans, and I get people after my concerts, classical concerts, all the time coming back and saying, 'Never heard of you until I heard the song with Josh Grobin.' Then they're now classical music fans, which is something I think we need to reach a wider audience.
As a professional cellist, I go to mostly classical concerts because that's the music I play, but I am also always trying to find out who the voices of our time are. I attend a spectrum of concerts that are close to classical - anything from Wynton Marsalis to Renee Fleming.
I got a classical piano training when I was little, and we also had music study lessons where we'd have to listen to a lot of classical music.
My father was able to play a number of musical instruments and I fell in love with classical music in my teens and I allowed it to influence me. I like to think I took and still do from classical music and various techniques, I have made classical albums and recorded seven different pieces of Bach on different albums and its all music too me.
A lot of my training is in classical theatre; I've done a lot of classical plays in New York and also at the Guthrie and here and there across the country.
I do not think classical music faces any threat because new music is being made through computer, as the real charm of classical is its purity, and one who is seeking purity will surely find classical music in spite of so many alternatives.
Classical music was my starting point. My mum would expose me to a lot of music and take me to really weird concerts when I was possibly too young.
I did classical music when I was a teenager, but the experience of performing a classical concert felt too frighteningly pristine for me to continue with it.
I grew up listening to my parents' albums. Many of them were either classical - Bach, Beethoven and Brahms - or easy listening, like Mantovani. I loved the spectrum of emotions in classical music, from fortissimo to pianissimo. My early passion for classical made my drumming more musical later on.
In those projects with Sting and Josh Groban and people like that, I see a very interesting effect: their fans coming to my classical concerts, people who've never been to a classical show at all.
I only knew classical music, which to me was the only true music. The only way I could survive at the bar was to mix the classical music with popular songs, and that meant I had to sing. What happened was that I discovered I had a voice plus the talent to mix classical music together with more popular songs, which at the time I detested.
A lot of my colleagues just don't really realize that they have to work in order to get the interest of an audience, especially with young kids, especially because it [classical music] is not that popular. You don't see it on TV, you don't hear it on radio, so you really gotta put an effort into promoting classical music.
Being from a classical environment, I've always been provoked by classical musicians thinking that classical music is so much greater art than pop. I've always been annoyed by that.
I feel that classical music should be a more recognizable part of everyone’s entertainment. It has been my hope that through live concerts, motion pictures, recordings, international competitions, and interesting public forums, a larger group of people will learn to love classical music and attend live concert performances.
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