A Quote by Skitch Henderson

I worked with practically everybody in the business in all of the years in NBC, but I worked personally many years with people like Crosby and Sinatra, so of course that was a great ground school for me.
I worked at CNN for almost 26 years. I worked in Mutual Radio for 20 years. I've been in the business 57 years. I have never seen a bias off the air or on.
Practically everybody I've ever worked with, I'd like to work with again. I had a great time with the people that I've worked with, and the directors, and a lot of the casts. There's really nobody where you'd say, "Oh, I got X, Y, and zed again! Gahhh, no!" It really brings a smile to my face, because in 95 percent of the cases, people I've worked with, I'd be thrilled to work with again.
Prior to working for Fox, I worked for ABC and NBC, spent a lot of time at CNN, and almost ended up at CBS. I worked for a bunch of local stations in Los Angeles and had a talk-radio show at KABC for six years. In other words, I'm fortunate enough to have been around, and Fox News is the best place I've ever worked.
I worked with people I admire; Josh Lucas, who I'd worked with many many years ago on a pilot called The Class of 61 and Kurt Russell, and so there were a variety of different people that I enjoyed working with.
I worked as an interior designer. I worked as a furniture salesman. I worked as a financial adviser. I worked as a painter and decorator - that wasn't for very long. I was a baker for about four-and-a-half years.
Personally I have not encountered racism at matches, or in clubs I have worked in, for many years.
I'm a spy. It's not really... I worked for the CIA 15 years. The cover was I worked for the insurance business.
Racial, globalist free markets hasn't worked for everybody in America - hasn't worked for at least the white working, or lower middle class in America don't perceive that it has worked very well for them. It hasn't served everybody, and a bit of protectionism - for many American voters - seems like quite an attractive thing.
'Vanity Fair' did this grid thing a couple years ago, connecting people who've worked together, and I had the most branches on it or whatever, because I'd worked with so-and-so and so-and-so worked with so-and-so, and I was kind of in the middle.
When I got out of college I worked for DC comics. I worked on staff there and I also freelanced for them for about a decade. I spent two years on staff as an editor right out of college. I'm from Los Angeles and I came back here after a couple of years in New York, to go to Graduate School at USC. I wasn't thinking specifically about animation although while I'd worked at DC.
I'd like to be remembered for being the one responsible for adapting Brazilian jiu-jitsu for modern MMA. For what I've learned from fence work and some ground positions. Lots of details I developed after years and years studying them, testing what worked on the mat, against the fence, what kept opponents on the ground, control situations.
I had a lot of great bosses - I worked for Gina Prince-Bythewood for two years, I worked for Ava Duvernay as a PA on her first narrative film, and I worked with Mara Brock Akil, so a lot of wonderful role models.
Of course it's always easy when you work with people that worked together, or you work with people that you worked with before, because you develop over years some sort of shorthand of communion that is always very valuable.
With just an elementary school education, my father worked as a short order cook for forty years before retirement. He liked to boast that his kitchen 'never failed an inspection.' For the same forty years, my mother worked tirelessly as a housekeeper for a group of families in the affluent communities of Studio City and Sherman Oaks.
When I was in my formative years, I rejected Frank Sinatra, Bing Crosby, Andy Williams, and Dean Martin. I now realise they were all great artists, but at the time, as a young man, you have to clear the decks.
I worked for suffrage for years, and got it. I've worked for peace for 55 years and haven't come close.
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