A Quote by Skrillex

I really like iZotope Trash, which is a great plug-in for distortion, as is Ohmicide, which I love. It's an absolutely crazy multiband distortion, compression, EQ and filter, which pretty much lets you do anything.
The very nature of limiting something from an infinite to moments in time creates distortion; analog recording methods create all kinds of distortion, they're just not digital distortion.
We tune differently, and we use some tricks. There's just the two of us for much of a concert, so we want a big sound. We do use some guitar effects, distortion and delay. Playing cello with distortion sounds so good.
I wanted to take a stand against what I think was not so well established then but is thoroughly well established now, which is the substitution for a real sense of a country of a hideous distortion which you can sell to the people called 'heritage'.
We must not confuse distortion with innovation; distortion is useless change, art is beneficial change.
We must believe that "emotion recollected in tranquillity" is an inexact formula. For it is neither emotion, nor recollection, nor without distortion of meaning, tranquillity. It is a concentration, and a new thing resulting from the concentration of a very great number of experiences which to the practical and active person would not seem to be experiences at all; it is a concentration which does not happen consciously or of deliberation. These experiences are not "recollected" and they finally unite in an atmosphere which is "tranquil" only in that it is a passive attending upon the event.
The need for truth is not constant; no more than is the need for repose. An idea which is a distortion may have a greater intellectual thrust than the truth; it may better serve the needs of the spirit, which vary. The truth is balance, but the opposite of truth, which is unbalance, may not be a lie.
New insight begins when satisfaction comes to an end, when all that has been seen, said, or done looks like a distortion. ... Man's true fulfillment depends on communion with that which transcends him.
The English language started out as a distortion in my life, but nothing remains the same, and so the distortion is now just normal. That is one of the things that will happen to all distortions: They become normal and turn into something else.
Distortion upon distortion: . . . the more one uses the mind, the more confused one becomes.
The ego says, ‘I shouldn’t have to suffer,’ and that thought makes you suffer so much more. It is a distortion of the truth, which is always paradoxical. The truth is that you need to say yes to suffering before you can transcend it.
Writers like Aldous Huxley and George Orwell have imagined the sort of scientific utopia which is coming to pass, but already their nightmare fancies are hopelessly out of date. A vast, air-conditioned, neon-lighted, glass-and-chromium broiler-house begins to take shape, in which geneticists select the best stocks to fertilise, and watch over the developing embryo to ensure that all possibilities of error and distortion are eliminated.
Bacon's portraits are an interrogation on the limits of the self. Up to what degree of distortion does an individual still remain himself? To what degree of distortion does a beloved person still remain a beloved person? For how long does a cherished face growing remote through illness, through madness, through hatred, through death still remain recognizable? Where is the border beyond which a self ceases to be a self?
It's amazing. It's actually build from old Siemens Telefunken transistors from the 60ties. There is like 10 in there. It's the most powerful distortion you can have. It does not only do distortion, it does so many weird things. You can't control it, it's sound different all the time. But it's an endless source for fantastic sounds. For example the track "Transit" is entirely made with this box. You have to put the guitar sound in. It's like a pedal.
In the course of the history of natural science, it always happens that profound or true thoughts or true facts were always either distorted or flattened out. The danger, especially of distortion, is particularly great in the case of orgonomy. We must be scientific, we cannot be political in these matters. And I personally declare that I will be the first to fight with all my strength, with whatever I've got against such a distortion of our principles.
You know the Einstein waves can be thought of as a distortion of space and time. But the way we see it, we see it as a distortion of space. And space is enormously stiff. You can't squish it; you can't change its dimensions so easily.
I think when I began, I played distortion more than the guitar. The results of my strumming. Now I play the twang of the string, which is a lot closer to the source of the sound making.
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