A Quote by Skylar Grey

I have a lot of experience in the studio, performing onstage, talking to an audience. I learned most of that stuff when I was performing with my mom. — © Skylar Grey
I have a lot of experience in the studio, performing onstage, talking to an audience. I learned most of that stuff when I was performing with my mom.
Don't Look Down” is her official debut as Skylar Grey, the singer, born Holly Brook Hafermann and raised in Mazomanie, Wis., has been making albums since she was a tween. Grey and her mother sang as a folk duo under the name Generations; they released three indie discs. “I learned a lot about professionalism, how the show must go on even though I feel like [expletive] sometimes,” Grey remembers. “I have a lot of experience in the studio, performing onstage, talking to an audience. I learned most of that stuff when I was performing with my mom.
I definitely love performing live because there are moments of spontaneity. And as much as you're performing on stage, I feel like the audience is performing, too.
The cool thing about WWE is it's like entertainment boot camp. You're performing in front of a live audience, a different audience every night. You're doing promos in the ring. You're doing talking segments in the back. You're wrestling. You're performing. It's everything all rolled into one.
Being in a recording studio is a very different feel from performing onstage. I mean, obviously, you can't just go in and do what you would do onstage. It reads differently.
Although I performed in high school, my first real experience with theater was performing with a student-run organization at Vanderbilt University called The Original Cast where I learned that I loved performing and especially loved theater people.
In all my years of performing, no audience member has ever actually assaulted me. I consider this to be the singular triumph of my performing career.
Performing is really close to being in studio but performing takes over because being in the studio is two things; the first thing is that it is really beautiful to improvise and jam, but afterwards it becomes hard because it's very rare that a song will come together quickly. Most of the time it's back and forth and trial and error. You start questioning whether the song is good or not. So that can be quite tough.
Although he loved performing live, and was great at it - Jeff was as solid on stage, as he was in the studio - performing for two hours at a stretch really took a physical toll. It was very hard on him.
Performing in each city is a different experience. But somehow, New York is unique. It is like performing in the entertainment capital of the world.
It's hard for a person to try to keep his stuff together being nominated for something and then performing onstage.
Performing in Detroit or performing in Chicago, you're on your own turf, but when you tour a show, the audiences change. You're in a completely different space; sensibilities change. I think I learned a lot from doing that - how written material works in different places, learning to have confidence, learning the idea of how to be adaptable.
One of the beautiful gifts of dance is that you're so in tune with your body so early on. I was very comfortable in my skin at a very early age, performing onstage and wearing interesting costumes. And I give so much credit to my mom - she never made me feel that my costume was wrong, or bad, even when there was not a lot to them!
I do a lot of performing, but don't get a chance to go to the studio and write good music.
I moved to New York and went to a performing arts college, but it wasn't until UCB that I started performing on the regular, figuring out how I'm funny, why I'm funny, and how to play with an audience.
I am a musician and am so thankful for that. I have no experience of war. But I find a similarity between performing music onstage and acting - a reality of emotion.
When I'm performing, I hope my research and my experience with those things I'm talking about rings true.
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