A Quote by Skyler Samuels

I love that everyone on 'Scream Queens' has a moment where they are the hero, and they are the villain. — © Skyler Samuels
I love that everyone on 'Scream Queens' has a moment where they are the hero, and they are the villain.
Everybody has a hero and a villain within themselves. So it depends upon you to be a hero or a villain. If you show humanity, it will give you satisfaction.
I'd love to play a Bond villain. Yeah, I'd love to play a Bond villain. Everyone always says this to me; they always say, 'You've got to be a Bond villain', 'We're going to make you a Bond villain...' But they've never, ever approached me, I've never had a whiff of it. I think I'd love to play a Bond villain; I'd have great fun.
If you have not been a villain at a certain point in time, you will never be a hero. And the day you are a hero, you may become a villain the next day.
What's the point of being a hero when everyone thinks you're a villain?
It concerns me when I see a small child watching the hero shoot the villain on television. It is teaching the small child to believe that shooting people is heroic. The hero just did it and it was effective. It was acceptable and the hero was well thought of afterward. If enough of us find inner peace to affect the institution of television, the little child will see the hero transform the villain and bring him to a good life. He'll see the hero do something significant to serve fellow human beings. So little children will get the idea that if you want to be a hero you must help people.
'Scream Queens' was so much fun, kind of like a big sorority. And 'American Horror Story' is very serious, like a really hip family of middle-aged women. The deaths were fun on 'Scream Queens'; the deaths on 'Horror Story' are very real and intense, and you have to be emotionally prepped for them.
I love to play with the notion of who the protagonist is - who is the audience supposed to root for? I did it in 'Sicario' and feel it was the strength of the script - guiding the audience's allegiance toward the villain because they think he's the hero, until it's revealed that he's the villain.
I would love to, on one project, play a villain. Any kind of villain. Any kind of antagonist. Somebody who's just rotten but fun, or the anti-hero.
Whoever wrote Shakespeare is a working class hero be he an aristocrat or a peasant. Shakespeare is a great leveler. We're presented with kings, queens, emperors and giants who feel the same things as everyone else: jealousy, love, anger, bitterness, grief, loss.
The only difference between a hero and the villain is that the villain chooses to use that power in a way that is selfish and hurts other people.
It really doesn't matter whether it's the villain or the hero. Sometimes the villain is the most colorful. But I prefer a part where you don't know what he is until the end.
Villains are as important as the hero. Without the right villain, the hero isn't heroic enough.
'Scream Queens' was a big, sensational show. There's nothing subtle about a Ryan Murphy show, and I love that.
Will you not covet such power as this, and seek such throne as this, and be no more housewives, but queens? There is no putting by that crown; queens you must always be; queens to your lovers; queens to your husbands and sons; queens of higher mystery to the world beyond. . . . But alas! you are too often idle and careless queens, grasping at majesty in the least things, while you abdicate it in the greatest.
A lot of actors say that no villain wants to be a villain, generally. They don't might being evil, maybe, but they have an agenda that they can justify. Otherwise, a little bit of that tension goes, if you're just a villain and everyone hates you because you're mean.
Character artist, villain, comedian, comedy villain, hero - he has been perfect in them all. That's Mohan Babu. His dialogue delivery is perfect.
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