A Quote by Slash
People want you to produce records. They don't care what it took to make it. When a band is out doing concerts, the fans don't want to know about equipment difficulties. They want their hour-and-a-half release, and that's it.
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If people want to watch that five hours [of stream show] on their own terms in their own schedule. It needs to work if somebody wants to stop after an hour and a half or stop after half an hour. People talk about it like food. Like, "I just want to let you know I'm saving it." They talk about it like pasta. "I'm saving it. I'm only going to have one a week." And I love the fact that everybody can have their own experience and I want to make sure that what we put out there works in as many ways as possible.
The thing about doing concerts is that it's doing a live show. It's on my schedule. It's songs I want to sing. It's saying what I want to say. It's working with the people I want to work with. I don't have to worry about pleasing other people - I can do what I want, and people come along and go for the ride.
I don't have to worry about what people are thinking and what's going on in the industry. I don't want that stuff to influence what I'm doing. Because I think it stifles you creatively. I don't want to have to care too much about that. All I care about is what the fans think. It's really all I care about, honestly.
We want to see a struggle. We want to see people falling over but getting themselves back up on their feet, and that's what's extraordinary- ordinary people and their struggle. There's nothing as interesting as real life out your window. You walk down the street for half an hour, I'll give you half an hour of drama.
You're not going out there to make a living out of it by selling records. You want acclaim and you want to know people are listening.
Look, as long as we can make records and sell enough so we can do some shows, that's all I want. You know what? I just want to play guitar and be in a band. Same as I always did.
I want to interact with my fans, and I want to let people know what I'm doing and stuff like that because I'd want to know.
I want to know everything there is to know about Lewis and Clark. And I want to do the Sunday crossword in less than an hour. I want to be the best dad in the world. I want to play Richard II, and I want to win another Tony award.
Even in fine-dining restaurants, you have people that say 'I want to be out in half hour', 'I want to be out in 45 minutes.' It happens.
There's a lot of pressure to look good, have the gun, know what you're doing and be one of the boys. I was like, "I don't want to be one of the boys. I want to be a doctor. I want to be cerebral. I want to sit back and just use something else. I don't want to do the stunts. Let the boys do that. I'm just going to be the doctor who's about taking care of other people."
Our band Stereophonics never wanted to release a couple records and be the biggest band in the world for 10 minutes. We always wanted to stand the test of time, and make great music that people would want to listen to and that music lasts. We'd looked up to artists and bands that had big back catalogues.
You know, I'm normally so sanguine. But... being accused of rushing these two books out to cash in on the Newbery Medal, without access to time travel equipment or anything, just makes me want to bang my forehead gently against a tree for half an hour. Is it too much to ask people to think?
There's nothing interesting about seeing our characters for an hour and a half do some flashy flying in the sky and beating up on some buildings. It's boring, and people don't want that anymore. They want character, and they want story.
When picking a show, I took into consideration who my fans are. Let's be honest, Buffy was a mid-season replacement on The WB, based on a failed movie. If it wasn't for the outpouring of fans and critics supporting us, we would have been canceled after four episodes. Sure, you want to stretch and you want to do different things, but it's also our job to think about who our fans are and what they want to see. Ultimately, that's why we do.
Then finally I said, 'Okay, well, I want to know all the details. I want creative input. I want to be consulted. I want to know what they're doing and who's involved. And I want to see the space.' So they took me to see it, and then I realized it was major! All these red flags on the Rue de Rivoli with my name on them right by the Louvre!
I think a lot of the guys I know and a lot of people I've talked to, what they want is very often what most people want, a kind of simple life, a livelihood, a family, people who care about them, people they can care about. I think vets on the whole want the same things that everybody else does.
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