A Quote by Slash
Directing is like guitar playing. That's a unique mind-set and talent, unto itself. I like the idea of putting everything together to make a great movie.
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Directing is like cooking, it's like cuisine. You cannot make a great dish with bad ingredients. I have great actors, and I'm putting them together. That's all I'm doing.
There is the mind itself. It is like a smooth lake which when struck, say by a stone, vibrates. The vibrations gather together and react on the stone, and all through the lake they will spread and be felt. The mind is like the lake; it is constantly being set in vibrations, which leave an impression on the mind; and the idea of the Ego, or personal self, the "I", is the result of these impressions. This "I" therefore is only the very rapid transmission of force and is in itself no reality.
It's like that Simpsons joke - they're filming a cow in a movie and they go, 'OK, we'll tape a bunch of cats together to make a cow', and it's like, 'Why don't you just use a cow?'. For some reason that is novel - like, 'Oh, my guitar sounds like a piano and now if I can just get my piano to sound like my guitar'.
I'm not a big fan of guitar face. You know, when someone's playing guitar, and they make this really embarrassing face, like they smush their lips together and... they look you in the eye and it's really humiliating. You know some people have that really embarrassing guitar face? I remember thinking about this when I was doing the DJing, because... you do have to focus, and that's what happens, it's your focus face. But you're in a movie, so you should probably lock it up.
There are some directors who don't like the set much. They like post-production, where you have all the ingredients in the can - you've got all the footage, all the music, the various effects - and then you have to do the alchemy necessary to make it all good, a long and very key process of putting everything together and making it into the cogent thing that you want.
I guess I'm interested in pushing the boundaries of the cello without giving up on the idea of playing the cello, if that makes any sense. I have no real interest in putting the cello through different effects to make it sound like a guitar or other instruments.
I'm not actually a very keen performer. I like putting shows together. I like putting events together. In fact, everything I do is about the conceptualizing and realization of a piece of work, whether it's the recording or the performance side.
I'd like to be able to get more girls to play guitar. I think with a girl playing electric guitar, sometimes it's seen a bit like a guy doing ballet. All the people I learned guitar from have been guys. There are some great female players, like Bonnie Raitt and Jennifer Batten, but very few.
Directing is like putting together a collage.
Now, ideas are the raw material of progress. Everything first takes shape in the form of an idea. But an idea itself is worth nothing. An idea, like a machine, must have power applied to it before it can accomplish anything. The men who have won fame and fortune through having an idea are those who devoted every ounce of their strength and every dollar they could muster to putting it into operation. Ford had a big idea, but he had to sweat and suffer and sacrifice to make it work.
I'm not a big fan of guitar face: you know, when someone's playing guitar, and they make this really embarrassing face, like they smush their lips together and... they look you in the eye, and it's really humiliating.
Playing a plainer role means everything is dependent on the credentials of the actor, not the fact that they are as pretty as Julia Roberts. People start to look at their talent rather than their appearance. And playing the ugly part often means less time in the make-up chair, which is a great benefit on set.
I'm not capable of wielding the guitar like Jimmy Page, one of my all-time favorite guitarists. My skill set is more based on the grinding, sort of human heartbeat - almost playing the guitar more like a drum.
In my mind, I'm no longer daunted by the idea of a remake. In fact, I now look at it as a genre unto itself - so long as you make it your own.
Entourage [movie] really is established as a genre unto itself, much like the thriller or the horror movie or the comedy. And those things trend.
I'm pretty focused on what I do. I think directing is a very specific talent, and I'm not real big on putting puzzles together, which is basically what a film is.
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