A Quote by Slavoj Žižek
Word is murder of a thing, not only in the elementary sense of implying its absence - by naming a thing, we treat it as absent, as dead, although it is still present - but above all in the sense of its radical dissection: the word 'quarters' the thing, it tears it out of the embedment in its concrete context, it treats its component parts as entities with an autonomous existence: we speak about color, form, shape, etc., as if they possessed self-sufficient being.
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I was like, "This is a new thing that the gay people have decided? That's the gayest thing I've ever heard in my life." You can't do that. You can't decide that a word is forbidden now collectively amongst your group of human beings, that the word is a slanderous evil nasty word about homosexuals. It's not, the word doesn't mean that. And sometimes it's a good word to use in comedy. That's what your friend has to realize when he's at a bar just yelling out the word.
Each thing has its word, but the word has become a thing by itself. Why shouldn't I find it? Why can't a tree be called Pluplusch, and Pluplubasch when it has been raining? The word, the word, the word outside your domain, your stuffiness, this laughable impotence, your stupendous smugness, outside all the parrotry of your self-evident limitedness. The word, gentlemen, is a public concern of the first importance.
The word connects the visible trace with the invisible thing, the absent thing, the thing that is desired or feared, like a frail emergency bridge flung over an abyss.
The way in which the photograph records experience is also different from the way of language. Language makes sense only when it is presented as a sequence of propositions. Meaning is distorted when a word or sentence is, as we say, taken out of context; when a reader or listener is deprived of what was said before, and after. But there is no such thing as a photograph taken out of context, for a photograph does not require one. In fact, the point of photography is to isolate images from context, so as to make them visible in a different way.
I like being swept up in weather and observing it as something beautiful and giant. It makes you feel so minute. The only thing as big as that are your thoughts about it, which can expand exponentially while your physical self is just trapped. It's a pretty awesome feeling, in the original sense of the word.
A Falsehood is, in one sense, a dead thing; but too often it moves about, galvanized by self-will, and pushes the living out of their seats.
People are actually very good at being communists in the sense that they instantly abandon capitalism, that they love these relationships of mutual aid, because the astonishing thing about disasters is that people are often weirdly joyous in them, because they've recovered a sense of agency, a sense of power, etc.
It's all just so fraught when you're writing and then going through the editorial process. It feels like this shape-shifting thing. When it's done, and you can't change a single word, it's a totally different thing. I was surprised by what that thing was.
I did a movie with Woody Allen [“Hollywood Ending” in 2002]. I only had a few days with Treat on that film. I immediately liked Treat. Treat and I had a sense of humor about the whole thing.
If you would follow on to know the Lord, come at once to the open Bible expecting it to speak to you. Do not come with the notion that it is a thing which you may push around at your convenience. It is more than a thing, it is a voice, a word, the very Word of the living God.
Traditional murder mysteries are interesting because they're ostensibly about a horrible thing - murder - but underneath that, they're about restoring order to a messed-up world. By the end of a whodunit, the detective has taken the reader through all the reasons why this terrible thing happened. Through that explanation, and by seeing the killer captured, the reader feels a sense of catharsis.
If only, then, I had been more living out of the present--such a beautiful word...present. The sense of it being, now to me, more beautiful than 'to look forward.
Modern man has no real "value" for the ocean. All he has is the most crass form of egoist, pragmatic value for it. He treats it as a "thing" in the worst possible sense, to exploit it for the "good" of man. The man who believes things are there only by chance cannot give things a real value. But for the Christian the value of a thing is not in itself autonomously, but because God made it.
Above all, the photographs I use are not arty in any sense of the word. I think photography is dead as fine art; its only place is in the commercial world, for technical or information purposes.
One thing, and only one thing, is necessary for Christian life, righteousness, and freedom. That one thing is the most holy Word of God, the gospel of Christ.
The point is that a filmmaker is like a journalist in projecting reality in the true sense of the word. Only thing is he dramatically packages it to make more effect.
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