A Quote by Slavoj Žižek

Did Wagner really accomplish the first step towards the kitschy 'fetishization' of music that reaches its apogee in classical Hollywood? — © Slavoj Žižek
Did Wagner really accomplish the first step towards the kitschy 'fetishization' of music that reaches its apogee in classical Hollywood?
I did not care for Wagner. My tastes are more classical. Der Fuhrer had no musical taste and liked Wagner because of the bombastic Teutonic glories.
A correct theory is the first step towards improvement, by showing what we need and what we might accomplish.
I simply love Wagner's music. That actually started very early. He was the first composer I was exposed very much to because my parents introduced me to Wagner's music very early.
Classical music only really came into my life in 1969. I wish I had heard classical music and church music when I was a teenager or even as a child.
I took classical piano for a couple of years, but I sort of lost interest - I couldn't read a note today if I tried. I still enjoy that stuff, and I think I naturally gravitate towards the classical licks; in fact, I know that I do. I gravitate towards the classical licks that I heard by famous old composers.
A lot of my colleagues just don't really realize that they have to work in order to get the interest of an audience, especially with young kids, especially because it [classical music] is not that popular. You don't see it on TV, you don't hear it on radio, so you really gotta put an effort into promoting classical music.
Homosexuality, like androgyny, might be an instinctive racial response to overpopulation, crowding, and stress. Both flourish when empire reaches its apogee.
My background in music is classical - I did graduate school in music. At that time, I was studying composition, but I was studying classical guitar very seriously.
'The Shining' is operatic and sensational and... really shocking. It has this amazing meld of classical music and modern interpretations of classical music, and incredible imagery. From the set design to the costumes, there's so much to unpack.
I did classical music when I was a teenager, but the experience of performing a classical concert felt too frighteningly pristine for me to continue with it.
I wanted to make an album where every song is kind of interacting - where you can't tell what's the string arrangement and what's the song. I guess that came out of going to college, majoring in music, studying classical music, and even as a kid, being really drawn to classical music.
It depends on my mood but classical music is what I am drawn towards. I also listen to Sufi music and bhajans too.
Most of the dramatism in Wagner comes from a very close link between the music and the language of the text. So much of the expressivity of Wagner's music dramas comes from the singers' capacity to play with the sound of the language. This kind of thing you can do very well in concert performance.
I do not think classical music faces any threat because new music is being made through computer, as the real charm of classical is its purity, and one who is seeking purity will surely find classical music in spite of so many alternatives.
There is no essential difference between classical and popular music. Music is music. I want to communicate with the listener who finds Indian classical music remote.
Now the first step has to be taken, the step towards democracy. This step is full of risks, and requires trust on all sides. We don't know where it will lead. But if we just stand still, we will have no chance of escaping the violence.
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