A Quote by Slim Jimmy

When I'm looking for something, I say, 'Man that's ugly - nobody would want to rock that.' Then I grab it and I put it on. — © Slim Jimmy
When I'm looking for something, I say, 'Man that's ugly - nobody would want to rock that.' Then I grab it and I put it on.
I had imagined a kind, ugly, intuitive man looking up and say, 'Ah!' in an encouraging way, as if he could see something I couldn't, and then I would find words to tell him how I was so scared, as if I were being stuffed farther and farther into a black, airless sack with no way out.
Nobody dast blame this man. For a salesman, there is no rock bottom to the life. He don't put a bolt to a nut, he don't tell you the law or give you medicine. He's a man way out there in the blue, riding on a smile and a shoeshine. And when they start not smiling back -- that's an earthquake. And then you get yourself a couple of spots on your hat, and you're finished. Nobody dast blame this man. A salesman is got to dream, boy. It comes with the territory.
Another way to put an end to self-rejection is ask yourself whether what you're telling yourself is what a friend would say, or what an enemy would. Friends are supportive. Enemies put us down and undermine our confidence. So if you say something that an enemy would say, stop. Answer back, 'I'm going to be supportive of myself. As a friend, what I have to say to myself is . . .' Then say something supportive.
You're made to feel ugly, and I made ugly beautiful. Just by sheer persistence. Nobody has the right to say that I am ugly, and I will not be a professional victim, you know. Sorry!
I remember growing up and hearing the word "ugly" a lot. "I'm ugly." "She ugly." "He ugly." I hated it then, and I hate it now. I go past physical beauty; I tell people they have a beautiful spirit and that is something different.
I do not see how a man can work on the frontiers of physics and write poetry at the same time. They are in opposition. In science you want to say something that nobody knew before, in words which everyone can understand. In poetry you are bound to say ... something that everyone knows already in words that nobody can understand. Commenting to him about the poetry J. Robert Oppenheimer wrote.
I say as long as the individual stays creative and continues to come up with fresh new and exciting ideas, rap will be here. That's established. Simple. As far as what I want to do, I want to get busy, man. I want to rock 60,000 people. I want to rock the Superdome.
Even before I went to the UN, I often would want to say something in a meeting - only woman at the table - and I'd think, 'OK well, I don't think I'll say that. It may sound stupid.' And then some man says it, and everybody thinks it's completely brilliant, and you are so mad at yourself for not saying something.
I'd make a comment at a meeting and nobody would even acknowledge me. Then some man would say the same thing and they'd all nod.
If everybody is looking for it, then nobody is finding it. If we were cultured, we would not be conscious of lacking culture. We would regard it as something natural and would not make so much fuss about it. And if we knew the real value of this word we would be cultured enough not to give it so much importance.
Reckoned physiologically, everything ugly weakens and afflicts man. It recalls decay, danger, impotence; he actually suffers a loss of energy in its presence. The effect of the ugly can be measured with a dynamometer. Whenever man feels in any way depressed, he senses the proximity of something ugly. His feeling of power, his will to power, his courage, his pride - they decline with the ugly, they increase with the beautiful.
Beautiful is he who recognizes what is truly beautiful even if the surface is ugly. Truthful is he who says what is true even if the truth is ugly. Ugly is he who measures beauty by its exterior without first weighing the interior. And ugly is the man who judges harshly what he sees looking out without first judging what he sees in the mirror.
Grab a guitar, put some kind of strings on it, a banjo string, then a violin string, then a guitar string, tune it any way you want, and make some noise, and see what you get. And work on it until you get something that you think is interesting. That's all there is to art for me.
Something I say a lot when it comes to anti-feminist stereotypes is that they exist for a reason. The stereotypes of feminists as ugly, or man-haters, or hairy, or whatever it is - that's really strategic. That's a really smart way to keep young women away from feminism, is to kind of put out this idea that all feminists hate men, or all feminists are ugly; and that they really come from a place of fear. If feminism wasn't powerful, if feminism wasn't influential, people wouldn't spend so much time putting it down.
There is something in my brain that said if I get Halestorm to a point where people are actually listening to what I have to say, I might as well put out positivity and be that empowering figure that I would have wanted in a rock star.
I would never want something I'm wearing or the way I'm dancing or something to overshadow what I'm doing. I'd rather grab people's attention with my voice.
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