A Quote by Slim Jimmy

My brother makes beats, and I DJ. — © Slim Jimmy
My brother makes beats, and I DJ.
Every person I meet is a rapper, DJ, or makes beats.
When we were growing up, I got kicked out of Timbaland's house every day. He was the DJ for my brother's rap group in junior high school. So I was 7, and while Tim's DJ'ing and my brother's rapping, I'd be upstairs dancing.
Everything I make as a producer, I visualize it as a DJ first. And all those beats, I test them as a DJ.
I made my name and reputation DJing in hip-hop clubs in New York. 'Celebrity DJ' is a term that I hated. To me a celebrity DJ is someone that's on 'Big Brother' or in some kind of B-movie who gets a gig to DJ even though they're not talented enough to do it.
Traditionally, with a DJ set, you just go hear DJ that has a good reputation and let the DJ take you somewhere. It was up to the DJ what he wanted to play. Typically in dance music, people didn't know most of the songs a DJ played.
Technology makes good DJ's better, but also allows your average person to think they're a DJ, and unfortunately there's no checks and balances about people making it a career.
I DJ all the time, as much as I possibly can. I'll never stop. That's my security blanket, that's what I'm good at. I still consider myself a better DJ than a singer. I can DJ in my sleep.
Of course building a kitchen makes all the symmetric sense in the world because everybody's burning calories at 120 beats a minute. You could even register it on a graph at the DJ booth. "How fast are they burning calories, sir?" "126 a minute." "Are you sure?" "Oh, I'm very sure." You can meter that out.
You have the core hip-hop, which would just be beats and breaks, more something like what you hear with DJ Premier. Then you get into the more highly produced hip-hop, which is something like what DJ Khaled does. But at some point, it starts to get kind of pop.
I think being a DJ is that thing of learning what makes a crowd move. As a DJ, you're constantly learning. It's like chess or something. After a couple of years, you think you're good, then you see a real DJ that's been doing it for 20 years and they just blow you away. I think that's one of the things I like about DJing: you can get better and better and better.
You can be a great DJ and still be not very good at DJ Hero. And vice-versa: You can have never spun in your life on real turntables and be fine on DJ Hero.
I knew that as a DJ from 1970 on up that I would eventually come with this sound. I brought out all these other break beats that you hear so much on a lot of these records.
It's tough when you're an artist because you get to go around the world and make a lot of friends, but guess what? One day, all these people that you love are going to die, from DJ Mehdi to DJ Dusk to J Dilla to Austin Peralta to DJ Rashad.
I came across this guy named DJ Grumble and I just really liked his beats because they were different. I felt like they spoke to me.
When I first started rapping, one of my partners who kept telling me to do music, I had asked him who I should buy some beats from, and he said DJ Squeeky.
I was making crappy beats since I was, like, 17 or 18, using Florida rappers, where I'm from. Then I started DJ'ing because I just wanted to have a new job.
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